smiled.
âOfficer Tomkins will escort you to the cafeteria where yâall will have ten minutes, no more, no less.â
Splet gave her a polite nod. âI understand, thank you.â
âYou may not pass anything other than documents or cigarettes to the inmate. You may not take anything.â
âI understand.â
âYou may not touch or come into contact with the prisoner at any time.â
âNo problem.â
âOfficer Tomkins,â the big gal nodded at her associate, and the beefy guard in the buzz cut grunted something that Splet didnât understand, then started toward the E-Wing corridor to the left.
Splet followed.
They passed through a series of steel-riveted doors, the monkey-house noises of the cafeteria rising and bouncing off the iron walls like sonar blips in a submarine. The air was close and smelled of BO and bleach and fear. The two men did not speak. Spletâs heart was beating faster now. The noise rose and rose, until they finally entered the main cafeteriaâVisitation Block E.
It was like a scene out of Danteâs Inferno performed by a trailer park full of crystal meth addicts. Hundreds of families and couples of all shapes and sizes, including errant children, milled around long tables arrayed across the football-field-size cement floor. The cavernous room, with its low ceiling of exposed plumbing and fluorescent lights, stank of fermented grease and urine, and positively vibrated with squeals, shouts, howls, laughter, and sobbing. A sense of fatigue pervaded the room, from the faded inmate togs to the angst-ridden faces.
Splet took a seat at the end of a nearby table, and the guard told him they would bring Milambri down.
The guard left, and Splet waited patiently with his heart pounding and his briefcase latched securely in front of him. The only other occupants of the table were an elderly couple at the opposite end, holding hands and scowling at each other and saying nothing. The old man, dressed in wrinkled orange garb, looked wizened and gray and tubercular, as though he had only weeks to live and was just waiting for the time to elapse.
âThe hell you want?â
Splet whirled at the sound of Big Ben Milambriâs bourbon-cured voice.
The gray-haired man stood behind Splet, towering over the table, a potbellied golem in flame-colored fatigues. The manâs craggy face was a relief map of wrinkles, his dark Sicilian eyes like two salt-cured olives set deep in their sockets. His massive forearms were profusely tattooed and crawling with wiry black hair.
âMr. Milambri, hello, good to see you,â Henry Splet offered, rising to shake hands.
The big man made no effort to shake the cameramanâs hand. âI was in the middle of a game of Texas hold âem and I was winninâ so I will ask you one more time: What. The. Hell. Do. You. Want?â
âPlease, sir, have a seat.â Henry motioned at the folding chair next to him. âI promise this wonât take more than a minute or two.â
Milambri glanced around the noisy hall. Fifteen feet away, against an adjacent wall, a morose guard was chewing on his fingernails, pretending that he cared about what was going on around him. At a neighboring table, a woman in hair curlers busily masturbated an inmate through his pants.
âAw, what the hell,â Milambri grunted, and sat down in the folding chair, making the legs creak with his weight. âWhat difference does it make?â
Henry Splet measured his words. âDo you remember me?â
âSure, youâre the little hemorrhoid with the camera.â
âThatâs right.â
Milambri grinned. His front tooth was rotten, capped in dull gold. âCame with that Oriental broad, whatâs her name.â
Splet told him.
âThatâs the oneâ¦Anna Fongâ¦nice little piece of Chinese chicken.â
âSheâs Thai, actually.â
Milambri fixed his dead stare on
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