knew she desired to have talent such as I had: when she was a child she used to try and paint scenes from her favourite poets, but I always dealt honestly with Effie; I did not flatter her to gain her affection but told her the sober truth: women are not, as a rule, made for artistic activities; their talents are the gentle, domestic ones.
But she was wilful; she persisted in her daubs, saying that she painted what she saw in dreams. Dreams! I told her she should dream less and pay more attention to her duties as a wife.
You see, I did care for her. I loved her too much to allow her to delude herself with vanities and conceits. I had kept her pure for so long, had lived with her imperfection, had forgiven her for the seed of wickedness she, like all women, carried within her. And what did she give me in return? Megrims, fancies, foolishness and deception. Do not be deceived by her innocent face as I was! Like my mother she was diseased, the bud of her unfurling adolescence blackened from the core. How could I have known ? God, in His ferocious jealousy, threw her in my path to test me. Let a single woman, just one, into the Kingdom of Heaven itself, and I swear she will throw down the blessed one by one—angels, archangels and all.
Damn her! She has made me as you see me now, a cripple, a fallen angel with the seed of the serpent in my frozen entrails. Slice an apple and you will find the Star, bearing the seeds of damnation in its core: God knew it even then, He who knows everything, sees everything. How He must have laughed, as He drew the rib from Adam’s sleeping body! Even now I seem to hear His laughter…and in my darkness spit and curse the light. Twenty grains of chloral to buy Your silence.
9
For two weeks I was content to watch him and wait. Mose haunted my dreams with visions of delightful abandon; waking, I saw him every day. I existed in a warm and lovely dream-state, like some sleeping princess waiting for her kiss, and I trusted in him implicitly. I had seen him watching; I knew he would come for me.
Days passed, and Henry moved back to his studio to work. He already had enough studies of Mose, and was eager to transfer his initial idea on to canvas. He was vaguely considering using me as the model for the Queen of Spades, but Mose, with a hidden wink in my direction, had said abruptly that I was ‘not his type’. Henry was not sure whether to be offended or relieved; he settled for a thin-lipped smile and promised to ‘think about it’. Mose accompanied him to the studio and for some time I did not see him, though his face never left my thoughts.
My health improved daily and I began to take fewer and fewer of the doses of laudanum Henry brought me. One night he found that I had thrown away my medicine, and was very angry. How could I expect to get better, he demanded, if I wilfully disobeyed him? I must drink my medicine three times a day, like a good girl, or I would become morbid and fanciful again, my nightmares would return and I would be good for nothing but idleness. My health was frail, he said, my mind weakened by illness. I must at least try to make an effort not to be a burden to him, especially now that his work was at last being recognized.
Meekly, I acquiesced; I promised to take a daily walk to the church and back and to take my medicine regularly. From then on I made sure that the number of drops in the bottle diminished at a steady pace—and with it I watered the araucaria on the stairs three times a day. Henry never suspected a thing. In fact, he was almost cheerful when he returned from the studio. His painting was progressing very well, if slowly, he told me, with Mose sitting for him maybe three hours a day. Henry worked till the early evening and, as the weather grew fine, I took the habit of going for a long walk to the cemetery in the afternoons. Once or twice Tabby came with me, but she had too many things to do in the house to act as a permanent chaperone to me. Besides,
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