to sit there till I leave you here, all alone in the house I've been paying mortgage payments on for fifteen years? You think that's going to happen?"
"Well, this is Carole's house now. She owns it. You just have to leave, and everything will be fine."
"I'm not leaving some guy I never heard of, all alone in my house. And where the hell's all my stuff? My drawing table, my art supplies, my paints, my reference books? How am I going to make a living? You think I'm just going to take my clothes in an old duffel bag and vanish? This is damned crazy, it's obscene, for chrissakes!"
"Everything here is Carole's now. It's all like an egg, it's all one thing. She owns it, shell and everything inside it."
"What are you babbling about? You act like she's the goddam Queen of Spain, some fucking nobility, droit du seigneur, everything belongs to her! Not bloody likely! I worked for every stick in this place, and I'll fight her every step in the court before I let her screw me over!"
"No, you have to go away now. Carole asked me to tell you that."
"I want to see her. I want her to tell me. We never had any trouble, this is all nuts, this hitting and the kids and all the rest of it. It's nuts! No eggs, just nuts!"
"You can't see her. Carole's gone away. But Carole can see you."
"What are you talking about? Where is she? If she's at her mother's house, she can't see me. Is this some crazy bad joke, is she here?" He turned and yelled into the empty house, "Carole! Hey, honey! Carole, you here?"
But there wasn't any answer. He stood there for a long time, staring at the unmoving shape seated comfortably on his sofa, in his living room, tapping a workbooted foot that had kicked his duffel bag that contained all he was going to be permitted to carry away of his life.
His life till now.
He said it to himself again. My life till now.
In the darkness—a darkness he now understood hid his face from the guy on the sofa—a guy who was the last aspect of my life till now —he smiled. She had left, had taken his life till now with her, and she was free. No. Not so. She was still tied to my life till now. In darkness, he was drenched in light. Now he could smile, because now he was free.
Take care of the kids? Well, that would've been his job, but now it was part of my life till now, and that wasn't his responsibility any longer. Support, money, phone calls, courts, screaming attorneys, letters, eyeless guys on sofas...all part of what she had decided to tie herself to, forever. He was free.
Never again to go across the river and into the Universe of Happiness. Fifteen years ago he had tied himself to my life till now, and he had been a good husband and loving father and a doomed wage-slave, and he would have stayed at it forever. But now he could be anywhere but here, with anyone but the jailer of his prison. He was out. In the darkness, he smiled; he turned, and walked through the front hallway, past the defenseless closet, and out the front door. He hoped Carole could see him, because as soon as he got in the car and drove away, he would cease to be Eddie Canonerro. Anywhere but here, with anybody but you.
Squatting near the porch glider, was that scabrous cat. Eddie moved very fast. He kicked the little fucker in the head and, squealing, it jumped for its life, and ran away.
Squinting through her telescope, the Queen of Spain frowned. Then the picture went dark, and not even the sound of clockwork ravens made the future any brighter.
Crazy As a Soup Sandwich
ACT ONE
FADE IN:
1 - EXT. INDUSTRIAL ALLEYWAY - DUSK (SHOOT DAY FOR NIGHT) - FULL SHOT
OPEN BLACK & WHITE on a rain-soaked passage between warehouses. Crates and huge cargo containers stored along the walls of the buildings. Dumpsters overflowing here and there. Piles of trash of a strictly industrial nature waiting to be collected. High, metal loading bay doors (tambour doors) front the alley.
A large truck (cab and trailer), parked
Kym Grosso
Brian Freemantle
Merry Farmer
Steven Whibley
Jane Heller
May McGoldrick
Paul Dowswell
Jennifer Lynn Barnes
Lisa Grace
Jean Plaidy