worry, Mrs F, weâve all got crosses tâbear,â said Ruby with feeling, âitâs jusâ that mineâs a reight âeavy one.â
âSo what exactly is the problem?â asked Vera.
âWell ⦠itâs mâ
motions
, Mrs F.â
â
Motions!
â exclaimed Vera. Ruby was a dear friend, but bowel movements were not an ideal topic for discussion.
âYes, Mrs F. Ah donât know if ahâm cominâ or goinâ.â
âReally?â said Vera with forced sympathy.
âYes, itâs mâmotions ⦠like ah used to âave when ah were courtinâ my Ronnie. Yâknow, all them âot flushes and feelinâ giddy anâ suchlike.â
The penny dropped. âAh, your
e
motions!â Vera looked at her friend with a new intensity. âCome and sit down,â she said, smiling and nodding knowingly. She knew what it was that was causing concern for Ruby ⦠and it had nothing to do with bodily functions.
I was in the entrance hall after thanking Valerie Flint for her work when Vera stepped out of the office and gently closed the door behind her.
âIâll say goodnight now, Mr Sheffield,â she said. âIâm having a chat with Ruby â sheâs got things on her mind.â
âIs there anything I can do to help?â
âNot really. Itâs more to do with, well ⦠affairs of the heart.â
âSo, Rubyâs not unwell?â
âNo, sheâs fine.â
âI see,â I said ⦠though I didnât.
As she turned to go back into the office Vera paused and smiled. âLetâs just say, Mr Sheffield, that you canât beat
a fine romance
.â
I was none the wiser as I drove home.
Chapter Four
The Solitude of Secrets
A staff meeting was held following Mr Gomersallâs visit to school to discuss the issues relating to the proposed closure of Morton School.
Extract from the Ragley School Logbook:
Friday, 25 October 1985
Vera was in her kitchen staring out of the window beyond the manicured lawns of Morton Manor. The cool fingers of autumn had touched the trees and the leaves shone bronze in the morning sun. Teardrop cobwebs were strung like pearls through the hedgerows while the gauze of mist caressed the soft earth like a soul stretched tight in sorrow.
Fantasie in F Minor
was playing on her radio and its heartbreaking opening melody always brought tears to her eyes. For Vera, Schubertâs piano duets were among his finest works, but on this particular morning it did not soothe her troubled mind. There were decisions to make ⦠important ones. However, for now they would have to remain a secret.
She glanced at her wristwatch, checked her appearance in the hall mirror, made a minute adjustment to the Victorian brooch above the top button of her silk blouse, smoothed the seat of her pin-striped business suit, picked up her royal-blue leather handbag, said goodbye to her three cats and then to Rupert, in that order, and strode out to her Austin Metro.
It was 8.15 a.m. on Friday, 25 October and Vera had something important on her mind.
On my way to school I called into Victor Prattâs garage to fill up with petrol. I parked next to the single pump and Victor, elder brother of Timothy and Nora, lumbered out.
âFill her up, please, Victor,â I said and handed over a £10 note. âAnd how are you?â I added, then wished I hadnât. As usual, he had an ailment.
âNot good, Mr Sheffield,â he said with a grimace. âAhâve got shootinâ pains in mâshoulder.â
âIâm sorry to hear that.â
âAhâm in agony,â he went on. âIn facâ, ahâm a martyr tâme misery.â
I considered this to be somewhat melodramatic, but pressed on regardless. âPerhaps itâs sciatica,â I suggested in an attempt to be both informative and sympathetic.
âNo, itâs
Tracy Cooper-Posey
Marilyn Sachs
Robert K. Tanenbaum
The Haj
Francesca Simon
Patricia Bray
Olivia Downing
Erika Marks
Wilkie Martin
R. Richard