Triffie says. âYou always did well enough by our crowd, even though you had no-one helping you then.â
âAh, yes, but itâs so much easier now. Youâre a gift from God, is what you are, Triffie. And you have a gift for it, a way with the little ones, thereâs no doubt of that. Itâs a shame ââ
But Triffie doesnât want to talk about whatâs a shame. âIâm glad to be here,â she says, cutting him off, âand Uncle Albert and Aunt Rachel donât mind so long as Iâm bringing in a little money. Itâs a grand help to them.â Like most fishermen, her uncle sees little cash money from one season to the next, except in spring when he goes to the ice. Trifâs pay packet is a boon to the household: she keeps none of the money but Aunt Rachel expects her to do less around the house, in honour of her status as a working woman.
âAfter dinner, the third and fourth book will be doing History,â Mr. Bishop says, âand the older ones have some Mathematics to work on. Theyâll all be busy for awhile. Why not let me have a try with Charlie while you teach the other little ones their sums?â
âHeâs not as bad with sums as he is with his letters,â Trif says, opening her lunch pail. The children all go home for dinners, but she has taken to packing two slices of bread with partridgeberry jam and having it here in the schoolroom with Joe Bishop, enjoying this little time talking about the children and their classes, feeling like a teacher.
âSums will do him more good than letters,â Mr. Bishop says, âbut we must do our best to teach him his alphabet at least. If he can count, add and subtract, and knows his alphabet, thatâs the best weâll do by him. And all that might take him until heâs old enough to go out in boat anyway.â
Later in the day she passes the bench where Joe Bishop and Charlie Mercer are bent over the slate. The Primer is laid aside: Mr. Bishop has gone back to trying to teach Char the alphabet. He draws well, his little sketches bringing scenes vividly to life with a few lines. On Charlieâs slate he has drawn a large curving fish, curled into a half-circle, a few quick lines delineating scales and gills, a single eye peering up. Joe traces the curving outer line of the fishâs body. âThatâs C,â he tells the boy. âC for codfish â can you see the codfish shape? When you see that shape, think of the codfish, the letter C.â
âThat was clever,â she tells Mr. Bishop later. âDo you think heâll remember?â
Joe Bishop shrugs. âHe might; he might not. The problem with teaching A is for Adam, or apple, is that half the children donât know Adam â well, from Adam. And if theyâve seen an apple one Christmas, thatâs all theyâve seen. A for axe, B for black bear, C for codfish â that would make more sense.â
âYou should write your own alphabet book,â Trif says.
âIf I only had time,â he sighs, picking up a stack of copybooks. âAnyway, Charlie couldnât sit still for more than A, B and C, so after C for codfish I sent him out to stack firewood with the older boys. Someday weâll have to tell him C is for Charlie too, but that might only confuse him.â
âWell, you helped him, anyway. Better than I could have done.â
âItâs only experience, Triffie. Iâve been ten years in the classroom now, and Iâve learned a few tricks. Iâll take Charlie now and then for some extra help, when I can spare the time â you can make it up by reading with the Third Reader children. Youâre such a good reader, you could be working with the older ones.â
Triffie thinks the older children, so recently her classmates, wonât accept her as their teacher. Sadie Parsons and Millicent Butler, both doing the Fifth Reader now, are the
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