whatsoever? It was a true puzzle: they had no trace evidence, no fibre evidence, no hint of forced entry, no shoe marks in the muddy garden, no eye witnesses, nothing.
And why would the murderer flee halfway through his task? No one had disturbed him at his grisly business: it was a cook returning the following morning who had discovered the mutilated corpse of Nik Kerensky. The only ‘witnesses’ to the incident were those passers-by and neighbours who heard unusual noises – and did nothing.
‘Can you shift the cat, Luke, don’t want to squash him.’
‘He’s too fat to pick up! Mum gives him all the leftovers.’
‘Try?’
With a manful effort that made his father proud, Luke picked up their enormous cat Mussolini, and moved him to a nearby stool.
His route cleared, Mark Ibsen slowly dragged himself across the hallway, into their living room, again trying to quadruple the distance in his mind, and conceptualize the pain of having severed feet and a severed hand as he did this. At what point did the killer force Kerensky to try to cut his own neck? Why did he stop doing this? When did he loosen Kerensky’s trousers? Was that the prelude to some hideous castration, or was there a sexual element?
The hint of a glimpse of an idea caught the light of Ibsen’s mind, like a jewel momentarily illuminated
. Gay sex
. Gay sexual murders were often the most brutal. Was Kerensky gay? All they knew, so far, was that he was a bit of a playboy. They had yet to receive the toxicology and serology reports but friends had spoken of drugs and nightclubs.
Now he had reached his immediate goal. Their IKEA dining table had been laid out exactly as the antique desk in Bishops Avenue had been laid out: notepad and phone to the left, laptop to the right.
‘Have you finished, Dad?’
‘Nearly.’
Ibsen was lying on his back on the living room floor. Their ceiling needed painting. He let his thoughts coalesce to a quietness, then hoisted himself on one theoretically amputated arm – the blood theoretically spurting everywhere – and reached for the phone. But he didn’t make it, of course – they already knew no phone calls had been made from the house that night – so Ibsen fell back, in his mind smearing blood on the laptop. And then he theoretically died. The last blood jolting from his horrible wounds.
‘Dad, open your eyes. It’s scary now.’
‘Sorry, lad.’ Mark stood up, and tousled his son’s hair; then stared at the laptop on his dining table, slightly smeared with marmalade from breakfast.
The laptop.
The laptop.
The laptop.
Grabbing his mobile, Ibsen stepped urgently into the hall, calling Larkham’s mobile. ‘It’s Ibsen.’
‘Sir?’
‘You’re at the Yard?’
‘Yesssir. We don’t all get Sundays off—’
‘Nor do I, I’ve got an idea. Have we checked the laptop yet?’
A telephonic pause.
‘Sir?’
‘Has anyone checked the laptop, seen if it was used?’
‘Ahh, no.’ Another pause. ‘We’re getting round to it eventually, sir. Tomorrow, probs. Course it’s been fumed for prints but all we’ve got is Kerensky’s as he reached for the phone like you said …’
‘But maybe he wasn’t reaching for the phone! Maybe he was reaching for the laptop!’
The next pause was tinged with sarcasm. ‘Visiting Facebook, sir? As he bled to death?’
‘Have you got the laptop there?’
‘It’s in the hard evidence bags, sir. Downstairs.’
‘Grab it and meet me at the house, Bishops Avenue. Now.’
‘But the chain of evidence, sir?’
‘We’ll fix it. Bring it!’
After leaving his son with the neighbours, it took ten minutes for Ibsen to drive his Renault to Bishops Avenue, a brief journey which comprised a vast social ascent.
The murder mansion was now decorated with so much police tape, fluttering in the cold winter wind, it was as if there was a small regatta taking place inside. Two constables guarded the large double front door.
‘DCI?’
‘Morning,
Craig A. McDonough
Julia Bell
Jamie K. Schmidt
Lynn Ray Lewis
Lisa Hughey
Henry James
Sandra Jane Goddard
Tove Jansson
Vella Day
Donna Foote