barnacled blue arm and throws you a Roman coin. It isnât beautiful. Neither are you. But you pray its sea-roughed Emperor will somehow benignly see you through. The gold-melt moon. The aroma of gritty six a.m. Turkish coffee. Harsh warm Hebrew pounding the air like a confounding family squabble. The marooned marble column on which you dry your shabby old towel. This glittering port city. A sophisticated paradise. Where Pontius Pilate thirsted for the humanity of face-saving lies. You are only eighteen. But thousands of years of brackish Biblical history sweep into you and catch like a thousand sharp glass beads. Sometimes a new place has the ferocity of a gale ripping the calm off a safe harbour making the drowned bells peel Hallelujah for all your future false prophets and glorious. glorious. lost gods.
BLACKBERRIES I canât shake that ghost-town pub whistling empty-bottled through its black windows, and its strangled verandahs creaking with a terrifying ancient thirst under a two-storey coat of bristling blackberry. Is it taunting me with the dancing skeleton tune of my own lifeâs mystery struggling for rhythm and lyrics? I hold in my hand the greedy, bleeding pen that has always gorged itself. The bliss-mouthed gluttony miracle â that stained Keats grape-purple that had cynical Byron reeling on the ceiling â when the plump berries sing and your pen slashes ahead like a pain-hungry prince hacking through the brambleâs dragon teeth to the heartâs most longed-for comatose, but ardently ready princess.
THE ENCHANTED ASS So tender is the Queen of Fairiesâ mouth on all your unsleeping parts her kiss arrives like summery moonlight her kiss is the moleâs bliss the blind blinding way her green magic breaks in you like a warm storm you grow ears, tail, and a hee-hawing lightning.
A WALK IN KENSINGTON GARDENS Solitude is where writers chatter best a soothing static â the ambulatory, admit it, happy ticking over like this afternoon in the sweet green cold London spring I watch a tall grey heron stomping down its reed nest thatâs sprouting everywhere like garden-sheared hair and all my living and all my dead run up my arms like squirrels.
THE SILVER BRACELET We were lost. The map was a useless tease. The afternoon was golden-green cold. It was old Ireland after all. Things happened that afternoon. The dwarf at the door. The strange dirty man on a bike with an impossibly narrow face. All gave false directions to what we were so doggedly dreamily looking for. We pushed through an old gate into a meadow dancing with green light. And found the stone circle so clearly, so mundanely marked on the map. Lichen-tipped, warm as if squirming with old friendly blood the stones stood. I canât remember how long we stayed. We danced around the stones and took photos. I still remember the thin tune playing in my charmed head. On the ferry back to Holyhead my bare wrist pinged where my silver bracelet used to be. Was it just something superstitious young Yeats said that made me believe the fairies had taken the silver bracelet instead of me?
THE HOUSE Is this what middle age does to the imagination, setting up haunted house in every idling cranny? Itâs time I sent my own premature ghost scarpering to a cobwebbed nunnery.
AFTER BRUEGEL Let me join the frilled and flying damned and live vivid as a wet dog.
THREE SONNETS I . I S IT NOT THE THING ? After Byron Trying to get a gutless friend to get it Byron wrote Is it not life, is it not the thing? He was praising the bawdy spurt of his own poem, his own ballsy Don Juan. Every poet wants to write the poem that penetrates with the ice-cold shock of the Devilâs prick. The poem that will fuck you awake or kill you.