The Best of Planet Stories, No. 1 by editor Leigh Brackett Page B
Authors: editor Leigh Brackett
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forked tip, shoving it swordwise under his belt. He didn't suppose it would do much good, but it made him feel better.
He wondered why the things didn't jump him and get it over with. They looked hungry enough, the way they were showing him their teeth. But they kept about the same distance away, in a sort of crescent formation, and every so often the ones on the outside would make a tentative dart at him, then fall back as he swerved away. It wasn't like being hunted so much as . . .
Starke's eyes narrowed. He began suddenly to feel much more afraid than he had before, and he wouldn't have believed that possible.
The things weren't hunting him at all. They were herding him.
There was nothing he could do about it. He tried stopping, and they swooped in and snapped at him, working expertly together so that while he was trying to stab one of them with his clumsy weapon, the others were worrying his heels like sheepdogs at a recalcitrant weather.
Starke, like the weather, bowed to the inevitable and went where he was driven. The golden hounds showed their teeth in animal laughter and sniffed hungrily at the thread of blood he left behind him in the slow red coils of fire.
After a while he heard the music.
It seemed to be some sort of a harp, with a strange quality of vibration in the notes. It wasn't like anything he'd ever heard before. Perhaps the gas of which the sea was composed was an extraordinarily good conductor of sound, with a property of diffusion that made the music seem to come from everywhere at once — softly at first, like something touched upon in a dream, and then, as he drew closer to the source, swelling into a racing, rippling flood of melody that wrapped itself around his nerves with a demoniac shiver of ecstasy.
The golden hounds began to fret with excitement, spreading their shining wings, driving him impatiently faster through the crystal branches.
Starke could feel the vibration growing in him — the very fibers of his muscles shuddering in sympathy with the unearthly harp. He guessed there was a lot of the music he couldn't hear. Too high, too low for his ears to register. But he could feel it.
He began to go faster, not because of the hounds, but because he wanted to. The deep quivering in his flesh excited him. He began to breathe harder, partly because of increased exertion, and some chemical quality of the mixture he breathed made him slightly drunk.
The thrumming harp-song stroked and stung him, waking a deeper, darker music, and suddenly he saw Beudag clearly — half-veiled and mystic in the candlelight at Faolan's dun; smooth curving bronze, her hair loose fire about her throat. A great stab of agony went through him. He called her name, once, and the harp-sound swept it up and away, and then suddenly there was no music any more, and no forest, and nothing but cold embers in Starke's heart.
He could see everything quite clearly in the time it took him to float from the top of the last tree to the floor of the plain. He had no idea how long a time that was. It didn't matter. It was one of those moments when time doesn't have any meaning.
The rim of the forest fell away in a long curve that melted glistening into the spark-shot sea. From it the plain stretched out, a level glassy floor of black obsidian, the spew of some long-dead volcano. Or was it dead? It seemed to Starke that the light here was redder, more vital, as though he were close to the source from which it sprang.
As he looked farther over the plain, the light seemed to coalesce into a shimmering curtain that wavered like the heat veils that dance along the Mercurian Twilight Belt at high noon. For one brief instant he glimpsed a picture on the curtain — a city, black, shining, fantastically turreted, the gigantic reflection of a Titan's dream. Then it was gone, and the immediate menace of the foreground took all of Starke's attention.
He saw the flock, herded by more of the golden hounds. And he saw the shepherd,
He wondered why the things didn't jump him and get it over with. They looked hungry enough, the way they were showing him their teeth. But they kept about the same distance away, in a sort of crescent formation, and every so often the ones on the outside would make a tentative dart at him, then fall back as he swerved away. It wasn't like being hunted so much as . . .
Starke's eyes narrowed. He began suddenly to feel much more afraid than he had before, and he wouldn't have believed that possible.
The things weren't hunting him at all. They were herding him.
There was nothing he could do about it. He tried stopping, and they swooped in and snapped at him, working expertly together so that while he was trying to stab one of them with his clumsy weapon, the others were worrying his heels like sheepdogs at a recalcitrant weather.
Starke, like the weather, bowed to the inevitable and went where he was driven. The golden hounds showed their teeth in animal laughter and sniffed hungrily at the thread of blood he left behind him in the slow red coils of fire.
After a while he heard the music.
It seemed to be some sort of a harp, with a strange quality of vibration in the notes. It wasn't like anything he'd ever heard before. Perhaps the gas of which the sea was composed was an extraordinarily good conductor of sound, with a property of diffusion that made the music seem to come from everywhere at once — softly at first, like something touched upon in a dream, and then, as he drew closer to the source, swelling into a racing, rippling flood of melody that wrapped itself around his nerves with a demoniac shiver of ecstasy.
The golden hounds began to fret with excitement, spreading their shining wings, driving him impatiently faster through the crystal branches.
Starke could feel the vibration growing in him — the very fibers of his muscles shuddering in sympathy with the unearthly harp. He guessed there was a lot of the music he couldn't hear. Too high, too low for his ears to register. But he could feel it.
He began to go faster, not because of the hounds, but because he wanted to. The deep quivering in his flesh excited him. He began to breathe harder, partly because of increased exertion, and some chemical quality of the mixture he breathed made him slightly drunk.
The thrumming harp-song stroked and stung him, waking a deeper, darker music, and suddenly he saw Beudag clearly — half-veiled and mystic in the candlelight at Faolan's dun; smooth curving bronze, her hair loose fire about her throat. A great stab of agony went through him. He called her name, once, and the harp-sound swept it up and away, and then suddenly there was no music any more, and no forest, and nothing but cold embers in Starke's heart.
He could see everything quite clearly in the time it took him to float from the top of the last tree to the floor of the plain. He had no idea how long a time that was. It didn't matter. It was one of those moments when time doesn't have any meaning.
The rim of the forest fell away in a long curve that melted glistening into the spark-shot sea. From it the plain stretched out, a level glassy floor of black obsidian, the spew of some long-dead volcano. Or was it dead? It seemed to Starke that the light here was redder, more vital, as though he were close to the source from which it sprang.
As he looked farther over the plain, the light seemed to coalesce into a shimmering curtain that wavered like the heat veils that dance along the Mercurian Twilight Belt at high noon. For one brief instant he glimpsed a picture on the curtain — a city, black, shining, fantastically turreted, the gigantic reflection of a Titan's dream. Then it was gone, and the immediate menace of the foreground took all of Starke's attention.
He saw the flock, herded by more of the golden hounds. And he saw the shepherd,
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