cashmere,â she read. âBut how do I know you didnât buy that after reading the book, just to make your ridiculous charge seem real?â
âI bought this suit two years ago for a professional portrait I had made. Two years ago,â he added adamantly. âCheck the shirt and tie, too,â he instructed.
She did. Ferragamo and Hermès, respectively.
He toed off a loafer and scooted it toward her with his foot. Santoni. Damn him.
He opened the book again as he slipped his shoe on, flipped a few more pages, then began to read. âEthanâs work environment was a study in contradictions. The building that housed his office was a looming edifice of glass and metal, lacking in color or texture or character, as cold and starkand ruthless as the corporate world itself. But his office reflected the true magnificence, prosperity and hedonism of the manârich colors, skillfully, beautifully wrought furnishings, decadent artwork.â
Gavin paused there, looking up to meet Violetâs gaze. Of course, she knew why. He wanted to gauge her reaction to what she knew came next. She had written the passage, after all. But she felt trapped somehow, pinned by his gaze, uncertain what she could say or do that would prevent him from reading the next paragraph. And when she said nothing to stop him, he seemed as if he were looking forward to reading the words that ensued.
âI have many, very special, memories of an oxblood leather chair tucked into one corner.â
At this, he glanced at something over her right shoulder. Sensing what she would see, she turned around anyway, only to findâ ta da! âan oxblood leather chair tucked into that corner of the room. Damn. That didnât look good. She turned back to Gavin, but heâd dropped his gaze to the book.
âSo often,â he read, âwhen Ethan requested I come to his office for one of our sessions, he would be sitting in that chair upon my arrival, a cut crystal tumbler of fine, single-malt Scotchâneat, of courseâin one hand. Without even greeting me, he would demand that I take off every stitch of clothing, which, of course, I would do. Then he would beckon me over and offer me the glass. I was to fill my mouth first with the Scotch, long enough to warm it, then drop to my knees and fill my mouth with him. As much of him as I could, anyway. I spent entire afternoons on my knees in that office by that chair, first giving him oral pleasure and then bent over the cushion so he could take me from behind, again and again andâ¦â He halted and lookedup at Violet once more, smiling even more broadly. âWell, I think Iâve made my point, havenât I?â
Oh, yes! Yes! Yes! Yessss! Violet wanted to shout. âUm, I believe youâve tried,â she said instead. She cleared her throat indelicately and avoided his gaze. âHowever, you failed.â
âOh?â
She nodded. And avoided his gaze some more. âYour artwork is in no way decadent.â
Now Gavin raised both dark brows in surprise. âMs., ah, Tandy, have you looked closely at those paintings?â
âWhy do I need to look closely?â she replied. âTheyâre all abstracts. I donât care much for abstract art. I mean, not that Iâm much of an art connoisseur in the first place. But I really donât like the kind of art where I canât even tell what itâs supposed to be.â
âNo, Iâm sure youâre more inclined to view the images in the Kama Sutra, but indulge me. That one over there, for instance,â he said, pointing to one on the other side that was executed in bold lacerations of purple and brown. âWhat does that remind you of?â
She cocked her head to one side as she viewed it from this distance. âA peanut butter and jelly sandwich,â she finally said. Well, that was what it reminded her of. Hey, sheâd told him she wasnât an art
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