The Black House

The Black House by Patricia Highsmith Page A

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Authors: Patricia Highsmith
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angle made by the shears, slipped easily between the sturdy withes that formed the bottom rim. She took up a second and a third. Diane then, before she attempted to tie the long pieces, wove the shorter lengths under and over the longer, at right angles. The twigs were just flexible enough to be manageable, and stiff enough to be strong. No piece projected too far. She had cut them just the right length, measuring only with her eye or thumb before snipping. Then the twine.
    Over and under, around the twig ends at the rim and through the withes already decoratively twisted there, then a good solid knot. She was able to continue with the cord to the next twig in a couple of places, so she did not have to tie a knot at each crosspiece. Suddenly to her amazement the basket was repaired, and it looked splendid.
    In her first glow of pride, Diane looked at her watch. Hardly fifteen minutes had passed since she had come into the house! How had she done it? She held the top end of the basket up, and pressed the palm of her right hand against the floor of the basket. It gave out firm-sounding squeaks. It had spring in it. And strength. She stared at the neatly twisted cord, at the correct over-and-under lengths, all about the diameter of pencils, and she wondered again how she had done it.
    That was when the terror began to creep up on her, at first like a faint suspicion or surmise or question. Had she some relative or ancestor not so far in the past, who had been an excellent basket-weaver? Not that she knew of, and the idea made her smile with amusement. Grandmothers and great-grandmothers who could quilt and crochet didn’t count. This was more primitive.
    Yes, people had been weaving baskets thousands of years before Christ, and maybe even a million years ago, hadn’t they? Baskets might have come before clay pots.
    The answer to her question, how had she done it, might be that the ancient craft of basket-weaving had been carried on for so long by the human race that it had surfaced in her this Sunday morning in the late twentieth century. Diane found this thought rather frightening.
    As she set the table for lunch, she upset a wine glass, but the glass was empty and it didn’t break. Reg was still shoveling, but slowing up, nearly finished. It was still early for lunch, but Diane had wanted the table set, the salad dressing made in the wooden bowl, before she took a swat at the work she had brought with her. Finally she sat with a yellow pad and pencil, and opened the plastic-covered folder marked RETTING, plus her own name, DIANE CLARKE , in smaller letters at the bottom. She had to write three hundred words about a kitchen gadget that extracted air from plastic bags of apples, oranges, potatoes or whatever. After the air was extracted, the bags could be stored in the bottom of the fridge as usual, but the product kept much longer and took up less space because of the absence of air in the bag. She had seen the gadget work in the office, and she had a photograph of it now. It was a sixteen-inch-long tube which one fastened to the cold water tap in the kitchen. The water from the tap drained away, but its force moved a turbine in the tube, which created a vacuum after a hollow needle was stuck into the sealed bag. Diane understood the principle quite well, but she began to feel odd and disoriented.
    It was odd to be sitting in a cottage built in a simple style more than a hundred years ago, to have just repaired a basket in the manner that people would have made or repaired a basket thousands of years ago, and to be trying to compose a sentence about a gadget whose existence depended upon modern plumbing, sealed packaging, transport by machinery of fruit and vegetables grown hundreds of miles (possibly thousands) from the places where they would be consumed. If this weren’t so, people could simply carry fruit and vegetables home in a sack from the fields, or in baskets such as the one she had just mended.
    Diane

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