was cooler. Above him at the door of the cats, Olive was still at it. After a quarter hour of photographing the different catsâ heads, Olive let her camera hang idle around her neck, and knelt by the doorâs lower hinge. She took a little knife from her pocket, and some envelopes, and began working the knife at the hinged edge of the door as if prying loose a splinter.
She dropped the splinter, or whatever it was, into an envelope, then pried out another from the next plank higher up, and put this in a second envelope. She stood up and took a third sample.
When she had five samples, one from each heavy oak plank that formed the door, she turned and saw him looking up at her. She smiled and waved to him again, went up the garden, and disappeared inside her dark-shingled house. He wanted to go up to the tool room and look at the door where she had cut into it; he wanted to figure out what the hell she had been doing.
But what difference? Anyway, it was her door. The way the lots were laid out in pie shapes joining in the center of the garden, the door was on Oliveâs land. If she wanted to pry off splinters, that was her business. Maybe she meant to send her splinters for a carbon-14 test. Maybe Olive suddenly burned to know how old the door was.
As Alice had longed to know.
Alice said if it was genuinely medieval, it shouldnât be in the garden but in a museum. She had thought it amazing that the door was in such good shape and not rotting. He thought the damn thing was a copy. Who would put a valuable antique in a garden? He had been singularly annoyed by her interest. She never had found out who built it into the hill, though she had gone over old land records and written to several families. Olive had been in on that little investigationâthe two of them spending useless hours in the county tax office, complaining afterward because the office was not only cold but stunk of cigarette smoke. The whole thing was an exercise in wasting time, and after Alice died Olive had seemed to turn to other projects. A retired librarian, Olive had retained all her energy and interest in the world; she pursued with singleminded intensity the projects she undertook.
He finished the stretcher bars and began to cut canvas, anticipating four new canvases, pristine white and waiting.
For what? Waiting for what? Waiting for four new, dull, lifeless attempts which would be as unsatisfying as his drive up the coast.
Chapter 8
T he scullery was steamy hot and noisy with the gossiping voices of two dozen scullery maids. Pots clanged, knives chopped against cutting boards, and Bricchaâs frequent commands cracked like rocks banged together. Smoke from the hearthfire mixed with the steam; the flames hissed and spat as fat dripped onto them from the deer turning on the spit. Beside the deer, braces of chickens roasted. Briccha took Melissa by the shoulders and pointed her toward a counter piled with dead doves and quail. âPluck and dress them. Donât leave any feathers. Donât dawdle. Wash them in that bucket.â
She set to work with distaste. Around her girls kneaded bread dough, mixed sauces, and cut and peeled piles of vegetables and fruits. She wasnât quick at cleaning birds, even with a simple-spell, and she didnât like doing it; their softly feathered bodies made her unbearably restless. She hated the blood and the smell of the birdsâ entrails because she was unsettled by them, feeling something stirring within herself that she didnât understand.
It was noon when she finished cleaning the last dove, but she hadnât earned a rest. Briccha directed her to a pile of greasy pots to scrub. She washed pots for the rest of the day, her hands and arms soon coated with grease, and she was sweating from the hot dishwater. The banter of the other girls distracted her, and a few remarks were directed her way, but she did not attempt to make friends. Late in the afternoon Briccha
She dropped the splinter, or whatever it was, into an envelope, then pried out another from the next plank higher up, and put this in a second envelope. She stood up and took a third sample.
When she had five samples, one from each heavy oak plank that formed the door, she turned and saw him looking up at her. She smiled and waved to him again, went up the garden, and disappeared inside her dark-shingled house. He wanted to go up to the tool room and look at the door where she had cut into it; he wanted to figure out what the hell she had been doing.
But what difference? Anyway, it was her door. The way the lots were laid out in pie shapes joining in the center of the garden, the door was on Oliveâs land. If she wanted to pry off splinters, that was her business. Maybe she meant to send her splinters for a carbon-14 test. Maybe Olive suddenly burned to know how old the door was.
As Alice had longed to know.
Alice said if it was genuinely medieval, it shouldnât be in the garden but in a museum. She had thought it amazing that the door was in such good shape and not rotting. He thought the damn thing was a copy. Who would put a valuable antique in a garden? He had been singularly annoyed by her interest. She never had found out who built it into the hill, though she had gone over old land records and written to several families. Olive had been in on that little investigationâthe two of them spending useless hours in the county tax office, complaining afterward because the office was not only cold but stunk of cigarette smoke. The whole thing was an exercise in wasting time, and after Alice died Olive had seemed to turn to other projects. A retired librarian, Olive had retained all her energy and interest in the world; she pursued with singleminded intensity the projects she undertook.
He finished the stretcher bars and began to cut canvas, anticipating four new canvases, pristine white and waiting.
For what? Waiting for what? Waiting for four new, dull, lifeless attempts which would be as unsatisfying as his drive up the coast.
Chapter 8
T he scullery was steamy hot and noisy with the gossiping voices of two dozen scullery maids. Pots clanged, knives chopped against cutting boards, and Bricchaâs frequent commands cracked like rocks banged together. Smoke from the hearthfire mixed with the steam; the flames hissed and spat as fat dripped onto them from the deer turning on the spit. Beside the deer, braces of chickens roasted. Briccha took Melissa by the shoulders and pointed her toward a counter piled with dead doves and quail. âPluck and dress them. Donât leave any feathers. Donât dawdle. Wash them in that bucket.â
She set to work with distaste. Around her girls kneaded bread dough, mixed sauces, and cut and peeled piles of vegetables and fruits. She wasnât quick at cleaning birds, even with a simple-spell, and she didnât like doing it; their softly feathered bodies made her unbearably restless. She hated the blood and the smell of the birdsâ entrails because she was unsettled by them, feeling something stirring within herself that she didnât understand.
It was noon when she finished cleaning the last dove, but she hadnât earned a rest. Briccha directed her to a pile of greasy pots to scrub. She washed pots for the rest of the day, her hands and arms soon coated with grease, and she was sweating from the hot dishwater. The banter of the other girls distracted her, and a few remarks were directed her way, but she did not attempt to make friends. Late in the afternoon Briccha
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