arrested were now acting as honorary escort—we headed upstairs to the first floor. On the way we passed a waiting room filled with passengers bivouacked on whatever was at hand, crossed a line of uniforms, filed through two leather-upholstered doors, and finally wound up in a crowded office.
With our arrival an apoplectic-looking giant started chasing people out the door. All but about ten people actually left the room. The hoarse, apoplectic-looking man turned out to be a deputy police chief. Someone offered me an armchair; Annabella was already seated. Despite the fact that it was broad daylight outside, all the lights in the room were on. Cross sections of the Labyrinth on the wall, a model of same on a portable stand next to the desk, glistening wet photos in the process of drying on the desk top. It wasn’t hard to guess what was in the photos. Fenner, who was sitting behind me, gave my arm a slight squeeze: things had gone so well because he’d phoned the police chief directly from the embassy. There were a few people huddled around the desk, some others perched on the window sill, and the deputy police chief paced the floor in silent concentration. A teary-eyed secretary was ushered in from the next room. The interpreter kept shifting his head back and forth between me and the girl, ready to come to our rescue, but somehow my Italian improved significantly. I learned that my jacket, along with Annabella’s purse, had been salvaged by a team of frogmen, thanks to which I was now a chief suspect, because in the meantime they’d already got in touch with the Hilton. I was suspected of being an accomplice of the Japanese. After releasing the grenade, we had planned to make a getaway toward the front, which was why we’d been among the first to board the escalator. But somehow there must have been a mixup in plans: the Japanese was killed in the explosion, while I saved myself by jumping over the bridge. On this point there was a difference of opinion. Some took Annabella to be a terrorist, others claimed I’d taken her as a hostage.
All this was passed on to me confidentially; they were still waiting for the arrival of the head of airport security before starting the interrogation. As soon as the latter had appeared, Randy, acting as self-appointed spokesman for the Americans, began briefing everyone on the nature of our mission. I listened, at the same time discreetly freeing my wet pant legs from my calves. He included in his report only what was absolutely necessary. Fenner was no less sparing in details, confirming that the embassy had been informed of our mission and that Interpol, which had also been briefed, was supposed to have notified the Italian authorities. This was a shrewd move on Fenner’s part, because now the burden of responsibility had been shifted to an international organization. The Italians were not the least bit interested in our operation; they were much keener to know what had happened on the escalator. An engineer from the airport’s staff said it was inconceivable that I could have escaped from either the tank or the hall without being familiar with the technical layout of the place. To which Randy replied that one shouldn’t underestimate the sort of commando training administered by the USAF to people like me. He neglected to mention that my training days had been over thirty years ago. The sound of hammering vibrated through the walls. The rescue operation was still under way; they were cutting away a part of the bridge, the section torn apart by the explosion. So far they had dug out a total of nine bodies from the rubble, plus twenty-two wounded, seven of them critically. A commotion was heard outside the door; the deputy police chief motioned to one of his officers to investigate. As he was leaving the room I had a chance to observe, through a gap in the gathering, a little side table where my jacket was lying, with all the seams ripped open, and right beside it Annabella’s
Kym Grosso
Brian Freemantle
Merry Farmer
Steven Whibley
Jane Heller
May McGoldrick
Paul Dowswell
Jennifer Lynn Barnes
Lisa Grace
Jean Plaidy