even worth beating for pleasure. It works again; they roll on.
Paulo ignores my suggestion. He sits down beside me and his gaze goes strange and unfocused for a moment. âYes. The city is breathing easier,â he says. âYouâre doing a good job, even without training.â
âI try.â
He looks amused. âI canât tell if you donât believe me, or if you just donât care.â
I shrug. âI believe you.â I also donât care, not much, because Iâm hungry. My stomach growls. Iâve still got that twenty he gave me, but Iâll take it to that church-plate sale I heard about over on Prospect, get chicken and rice and greens and cornbread for less than the cost of a free-trade small-batch-roasted latte.
He glances down at my stomach when it growls. Huh. I pretend to stretch and scratch above my abs, making sure to pull up my shirt a little. The artist guy brought a model for us to draw once, and pointed to this little ridge of muscle above the hips called Apolloâs Belt. Pauloâs gaze goes right to it. Come on, come on, fishy fishy. I need somewhere to sleep.
Then his eyes narrow and focus on mine again. âI had forgotten,â he says, in a faint wondering tone. âI almost ⦠Itâs been so long. Once, though, I was a boy of the favelas .â
âNot a lot of Mexican food in New York,â I reply.
He blinks and looks amused again. Then he sobers. âThis city will die,â he says. He doesnât raise his voice, but he doesnât have to. Iâm paying attention, now. Food, living: These things have meaning to me. âIf you do not learn the things I have to teach you. If you do not help. The time will come and you will fail, and this city will join Pompeii and Atlantis and a dozen others whose names no one remembers, even though hundreds of thousands of people died with them. Or perhaps there will be a stillbirthâthe shell of the city surviving to possibly grow again in the future but its vital spark snuffed for now, like New Orleansâbut that will still kill you , either way. You are the catalyst, whether of strength or destruction.â
Heâs been talking like this since he showed upâplaces that never were, things that canât be, omens and portents. I figure itâs bullshit because heâs telling it to me , a kid whose own mama kicked him out and prays for him to die every day and probably hates me. God hates me. And I fucking hate God back, so why would he choose me for anything? But thatâs really why I start paying attention: because of God. I donât have to believe in something for it to fuck up my life.
âTell me what to do,â I say.
Paulo nods, looking smug. Thinks heâs got my number. âAh. You donât want to die.â
I stand up, stretch, feel the streets around me grow longer and more pliable in the rising heat of day. (Is that really happening, or am I imagining it, or is it happening and Iâm imagining that itâs connected to me somehow?) âFuck you. That ainât it.â
âThen you donât even care about that.â He makes it a question with the tone of his voice.
âAinât about being alive.â Iâll starve to death someday, or freeze some winter night, or catch something that rots me away until the hospitals have to take me, even without money or an address. But Iâll sing and paint and dance and fuck and cry the city before Iâm done, because itâs mine. Itâs fucking mine . Thatâs why.
âItâs about living ,â I finish. And then I turn to glare at him. He can kiss my ass if he doesnât understand. âTell me what to do.â
Something changes in Pauloâs face. Heâs listening, now. To me. So he gets to his feet and leads me away for my first real lesson.
*Â Â Â *Â Â Â *
This is the lesson: Great cities are like any other living
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