day the garden gate was left open and Achilles was nowhere to be found. Search parties were immediately organized, and the family, who up till then had spent most of their time openly making threats against the reptile’s life, wandered about the olive groves, shouting, ‘Achilles… strawberries, Achilles… Achilles… strawberries…’ At length we found him. Ambling along in his usual detached manner, he had fallen into a disused well, the wall of which had long since disintegrated, and the mouth of which was almost covered by ferns. He was, to our regret, quite dead. Even Leslie’s attempts at artificial respiration and Margo’s suggestion of forcing strawberries down his throat (to give him, as she explained, something to live for) failed to get any response. So, mournfully and solemnly, his corpse was buried in the garden under a small strawberry plant (Mother’s suggestion). A short funeral address, written and read in a trembling voice by Larry, made the occasion a memorable one. It was only marred by Roger, who, in spite of all my protests, insisted on wagging his tail throughout the burial service.
Not long after Achilles had been taken from us I obtained another pet from the Rose-Beetle Man. This time it was a pigeon. He was still very young and had to be force-fed on bread-and-milk and soaked corn. He was the most revolting bird to look at, with his feathers pushing through the wrinkled scarlet skin, mixed with the horrible yellow down that covers baby pigeons and makes them look as though they have been peroxiding their hair. Owing to his repulsive and obese appearance, Larry suggested we called him Quasimodo, and, liking the name without realizing the implications, I agreed. For a long time after he could feed himself, and when all his feathers had grown, Quasimodo retained a sprig of yellow down on his head which gave him the appearance of a rather pompous judge wearing a wig several sizes too small.
Owing to his unorthodox upbringing, and the fact that he had no parents to teach him the facts of life, Quasimodo becameconvinced that he was not a bird at all, and refused to fly. Instead he walked everywhere. If he wanted to get onto a table or a chair, he stood below it, ducking his head and cooing in a rich contralto until someone lifted him up. He was always eager to join us in anything we did, and would even try to come for walks with us. This, however, we had to stop, for either you carried him on your shoulder, which was risking an accident to your clothes, or else you let him walk behind. If you let him walk, then you had to slow down your own pace to suit his, for should you get too far ahead you would hear the most frantic and imploring coos and turn round to find Quasimodo running desperately after you, his tail wagging seductively, his iridescent chest pouted out with indignation at your cruelty.
Quasimodo insisted on sleeping in the house; no amount of coaxing or scolding would get him to inhabit the pigeon loft I had constructed for him. He preferred to sleep on the end of Margo’s bed. Eventually, however, he was banished to the drawing-room sofa, for if Margo turned over in bed at night Quasimodo would wake, hobble up the bed, and perch on her face, cooing loudly and lovingly.
It was Larry who discovered that Quasimodo was a musical pigeon. Not only did he like music, but he actually seemed to recognize two different varieties, the waltz and the military march. For ordinary music he would waddle as close to the gramophone as possible and sit there with pouting chest, eyes half closed, purring softly to himself. But if the tune was a waltz he would move round and round the machine, bowing, twisting, and cooing tremulously. For a march, on the other hand – Sousa for preference – he drew himself up to his full height, inflated his chest, and stamped up and down the room, while his coo became so rich and throaty that he seemed in danger of strangling himself. He never attempted to
Not long after Achilles had been taken from us I obtained another pet from the Rose-Beetle Man. This time it was a pigeon. He was still very young and had to be force-fed on bread-and-milk and soaked corn. He was the most revolting bird to look at, with his feathers pushing through the wrinkled scarlet skin, mixed with the horrible yellow down that covers baby pigeons and makes them look as though they have been peroxiding their hair. Owing to his repulsive and obese appearance, Larry suggested we called him Quasimodo, and, liking the name without realizing the implications, I agreed. For a long time after he could feed himself, and when all his feathers had grown, Quasimodo retained a sprig of yellow down on his head which gave him the appearance of a rather pompous judge wearing a wig several sizes too small.
Owing to his unorthodox upbringing, and the fact that he had no parents to teach him the facts of life, Quasimodo becameconvinced that he was not a bird at all, and refused to fly. Instead he walked everywhere. If he wanted to get onto a table or a chair, he stood below it, ducking his head and cooing in a rich contralto until someone lifted him up. He was always eager to join us in anything we did, and would even try to come for walks with us. This, however, we had to stop, for either you carried him on your shoulder, which was risking an accident to your clothes, or else you let him walk behind. If you let him walk, then you had to slow down your own pace to suit his, for should you get too far ahead you would hear the most frantic and imploring coos and turn round to find Quasimodo running desperately after you, his tail wagging seductively, his iridescent chest pouted out with indignation at your cruelty.
Quasimodo insisted on sleeping in the house; no amount of coaxing or scolding would get him to inhabit the pigeon loft I had constructed for him. He preferred to sleep on the end of Margo’s bed. Eventually, however, he was banished to the drawing-room sofa, for if Margo turned over in bed at night Quasimodo would wake, hobble up the bed, and perch on her face, cooing loudly and lovingly.
It was Larry who discovered that Quasimodo was a musical pigeon. Not only did he like music, but he actually seemed to recognize two different varieties, the waltz and the military march. For ordinary music he would waddle as close to the gramophone as possible and sit there with pouting chest, eyes half closed, purring softly to himself. But if the tune was a waltz he would move round and round the machine, bowing, twisting, and cooing tremulously. For a march, on the other hand – Sousa for preference – he drew himself up to his full height, inflated his chest, and stamped up and down the room, while his coo became so rich and throaty that he seemed in danger of strangling himself. He never attempted to
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