The End (A Series of Unfortunate Events)

The End (A Series of Unfortunate Events) by Lemony Snicket

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Authors: Lemony Snicket
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for the colony, if there were any wasabi to be had."
    The younger Baudelaires gave their sister a brief nod, realizing that Violet was asking about wasabi not only because it might allow Sunny to make something palatable—a word which here means "that wasn't ceviche"—but because wasabi, which is a sort of horseradish often used in Japanese food, was one of the few defenses against the Medusoid Mycelium, and with Count Olaf lurking about, she wanted to think about possible strategies should the deadly fungus be let loose from the helmet.
    "We don't have any wasabi," Mrs. Caliban said. "We don't have any spices at all, in fact.
    No spices have washed up on the coastal shelf."
    "Even if they did," Ishmael added quickly, "I think we'd just throw them in the arboretum.
    The stomachs of the colonists are used to spice-less ceviche, and we wouldn't want to rock the boat."
    Klaus took a bite of ceviche from his runcible spoon, and grimaced at the taste.
    Traditionally a ceviche is marinated in spices, which gives it an unusual but often delicious flavor, but without such seasoning, Mrs. Caliban's ceviche tasted like whatever you might find in a fish's mouth while it was eating. "Do you eat ceviche for every meal?" he asked.
    "Certainly not," Mrs. Caliban said with a little laugh. "That would get tiresome, wouldn't it? No, we only have ceviche for lunch. Every morning we have seaweed salad for breakfast, and for dinner we have a mild onion soup served with a handful of wild grass. You might get tired of such bland food, but it tastes better if you wash it down with coconut cordial."
    Friday's mother reached into a deep pocket in her white robe, and brought out three large seashells that had been fashioned into canteens, and handed one to each Baudelaire.
    "Let's drink a toast," Friday suggested, holding up her own seashell. Mrs. Caliban raised hers, and Ishmael wiggled in his clay chair and opened the stopper of his seashell once more.
    "An excellent idea," the facilitator said, with a wide, wide smile. "Let's drink a toast to the Baudelaire orphans!"
    "To the Baudelaires!" agreed Mrs. Caliban, raising her seashell. "Welcome to the island!"

    "I hope you stay here forever and ever!" Friday cried.
    The Baudelaires looked at the three islanders grinning at them, and tried their best to grin back, although they had so much on their minds that their grins were not very enthusiastic.
    The Baudelaires wondered if they really had to eat spiceless ceviche, not only for this particular lunch, but for future lunches on the island. The Baudelaires wondered if they had to drink more of the coconut cordial, and if refusing to do so would be considered rocking the boat. They wondered why the figurehead of the boat had not been found, and they wondered where Count Olaf was, and what he was up to, and they wondered about their friends and associates who were somewhere at sea, and about all of the people they had left behind in the Hotel Denouement. But at this moment, the Baudelaires wondered one thing most of all, and that was why Ishmael had called them orphans, when they hadn't told him their whole story.
    Violet, Klaus, and Sunny looked first at their bowls of ceviche, and then at Friday and her mother, and then at their seashells, and finally up at Ishmael, who was smiling down at them from his enormous chair, and the castaways wondered if they really had reached a place that was far from the world's treachery or if the world's treachery was just hidden someplace, the way Count Olaf was hidden somewhere very nearby at that very moment. They looked up at their facilitator, uncertain if they were safe after all , and wondering what they could do about it if they weren't.
    "I won't force you," Ishmael said quietly to the children, and the Baudelaire orphans wondered if that were true after all .

CHAPTER
Five
    Unless you are unusually insouciant—which is merely a fancy way of saying "the opposite of curious"—or one of the Baudelaire orphans

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