afternoons, handing the rod to him when he got a bite because the sight of the hook caught in the mouth of a trout made him woozy.
Phil last summer, traipsing around the golf course in his head-to-foot bike leathers, insisting on playing eighteen holes though he couldnât care less about his handicap. It was just an excuse to spend time with his dad.
All those years when Ted and Lara thought they were looking after Phil, Phil was looking after them.
Do you remember how much Lara wanted us to have another baby? he thinks. Jesus! All those wishes on rainbows and bloody stars! Do you remember how hard we had to try to grant them come true?
Margaret laughs, a ripple that washes over him like cool water. âOh yes,â she says. âWe had fun trying, though, didnât we?â
And he does not have many moments left, but he would give all of them to be back in their creaky divan bed on one of those Saturday mornings when they tried. The door closed, the curtains drawn, their daughter safely planted in front of a video downstairs. He would, he thinks, give anything, everything, to be thirty-eight again and making love to his wife.
âShut up,â Margaret says, âor youâll make me cry.â
What was the name of the imaginary baby Lara had? he thinks. The one who slept in her top drawer till she was ten? Daisy? Poppy?
âLily,â Margaret says.
She disappeared overnight, he thinks, when Phil came along.
âSheâll be back,â Margaret says lightly. âLily. Sheâs just waiting for the right moment.â
Like you, he thinks.
âLike me.â
Margaret is still there when it gets light and the nurse comes to open the curtains. The nurse straightens his pillows and wraps a blood pressure cuff around his limp arm and clips a thermometer to his ear. She taps his arm gently until she finds a vein and slides a needle in,and the morphine fog rolls in, but still Margaret stays and the dark behind his eyes blooms with velvety pansies.
Where does it come from? he thinks. The word âpansyâ? I canât remember.
âIt comes from the French verb â
penser
,ââ Margaret says. âTo think.â
Margaret, are you really here? Or am I just imagining you? There is a long pause. Margaret?
âDoes it matter?â she whispers.
*Â Â Â *Â Â Â *
âHe said Mumâs name,â Lara says. âAt four oâclock. He tried to sit up and he said âMargaret.ââ
âJesus,â Phil says softly. âHeâs still in there.â His voice is thick with tears. âHeâs a fighter.â
Ted hears the sleeve of his sonâs leather jacket creak as he puts his arms around his sister. They are both crying. He wants to cry too, but there is no water left in his body.
Love doesnât break your heart, he thinks, but dying crushes it. Flattens it with an iron fist until every last drop of love has been squeezed out.
âRemember my nicknames for them?â Margaret whispers.
âBlossomâ for Lara, because she was delicate and pretty as a cherry flower. âGrowâ for Phil, who was like a beanstalk.
I read somewhere, he thinks, that your life flashing before your eyes is just a medical phenomenon. That when your organs start to shut down, your brain just cycles through everything thatâs ever happened, looking for something it knows might save you.
âSave you for what?â Margaret asks. âHavenât you had enough of this, Ted? Arenât you ready to go yet?â
She has a point.
The flashes come not in a rush but slowly, like the fireworks they saw once on a long-ago holiday in France. They bloom, like flowers, in the velvety darkness.
Fragments Ted had forgotten. Lara, at seven, swinging upside down from monkey bars in St. Stephenâs Green, her hair so long it swept the ground. Coming downstairs one morning to find Phil, about four, sitting in a shaft of
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