painting later, it wouldnât be the next day, when she had to teach the butterflies. She walked part way down the incline to a ledge above the skunk cabbage muskeg and set up her canvas stool.
Midway into a sketch, she heard clamoring from the larger boat. âMon Dieu! Porquoi tu me tourmentes?â âthe words uttered with the vehemence of an oath. The man flung two skin bags into the skiff, lowered himself into it, and rowed ashore. He carried them to the creek that ran out of the woods, filled them with water, and was walking back toward the tent when he saw her. â Attention, mademoiselle! Youâre going to slide down that hill and land in the muck.â
âWhat kind of a boat is the big one?â
âSheâs une bateau sauvage. â
âShe? What does she do?â
âFight. Always she wants to go one way, I want to go the other.â
âWhy do you paint your boats?â
âTo beat back the dark wilderness with something light.â
He set his water bags on the ground and came over to the opposite side of the narrow bog. His cheeks above his beard were burnished by wind and sun. His thin nose and small ears gave him a refined look in spite of his beard and tousled brown curls. He wore buckskin trousers and shirtâa man out of James Fenimore Cooperâs Leather-stocking Tales. As a girl, sheâd reread them until the pages were soft as tissue paper.
He scowled in a playful way that wrinkled the skin around his eyes. âYou draw that boat, mademoiselle, and sheâll put a curse on you.â
Emily laughed. âWhat is it called?â
â La Renarde Rouge. Sheâs a vixen.â
âWhere do you go in it?â
âAs far north as she decides to take me.â
âAlone?â
âAlone.â
âTo Alaska?â
âSometimes. Or up rivers. Wherever theyâll trade for furs.â
âWhat is it like in the north?â
âWild. Forests so thick they canât be logged.â He threw his arms wide. âVast territory. Weeks to get anywhere. Tout le temps, rain. Rain like waterfalls. Always branches dripping on you. Make you crazy.â He made a funny face, upper lip going one way, lower lip the other way.
âWhat else?â
âWhat do you want? Glaciers crashing into the sea? Birds that shriek like demons or grumble like old men? Oui, that too.â His eyes opened wide and his voice became throaty. âItâs wilderness so formidable it can turn you inside out and leave your raw flesh quivering.â He made his hands tremble.
Her mind reeled with painting subjects. âSounds like one glorious adventure.â
âWhat? Are you a child? It is merely mercantile.â His words were clipped.
âAre there bighouses?â
âVillages of them, some painted to look like animals.â He waved his arms upward. âAnd poles stacked with queer creatures.â
âTotem poles?â
âAnd potlatches.â
âWhat are they really?â
âWonât tell you. Canât.â
âWhy not?â
âSecret. You want me to shout it up the hill at you?â
âYes.â
âCanât. You have to come here, to my camp.â
He turned and got into his skiff and rowed out of the cove. Was that it? He was going to leave her wondering?
Well, she was here to draw, so she drew, one sketch after another, different distances, different angles. Bad, happy drawings, done recklessly. Her charcoal broke. No matter. She ripped off a page to start another sketch. Wind whipped it out of her hand and blew it onto the beach. She started another, and another, filling her drawing tablet.
⢠⢠â¢
At home, a letter was sticking out of the mail slot. She ripped it open.
Dear Miss Carr,
At a meeting of our board, we have decided that your teaching is inadequate for our purposes and must inform you that we shall no longer need your services.
Mrs.
Peter Corris
Patrick Flores-Scott
JJ Hilton
C. E. Murphy
Stephen Deas
Penny Baldwin
Mike Allen
Sean Patrick Flanery
Connie Myres
Venessa Kimball