vows.
One of the things he’d learned on his travels was what a man could settle for, and what he couldn’t. You could settle for a lumpy bed if the alternative was the floor, and be grateful. But you couldn’t settle for a woman who bored you or failed to stir your blood, no matter how fair her face.
As he was thinking that, he turned and looked out over the roll of land, over to the soft rise where the white cottage sat under the sky and stars. There was a thin haze of smoke rising from the chimney, a single light burning against the window.
Jude Frances Murray, he thought and found himself bringing her face into his mind. What are you doing in your little house on the faerie hill? Reading a good book perhaps, one with plenty of weight and profound messages. Or do you sneak into a story with fun and foolishness when no one’s around to see?
It’s image that worries you, he mused. That much he’d gotten from the hour or so she’d spent on one of his stools. What are people thinking? What do they see when they look at you?
And while she was thinking that, he mused, she was absorbing everything around her that she could see or hear. He doubted she knew it, but he’d seen it in her eyes.
He thought he would take some time to find out what he thought of her, what he saw in her, and what was real.
She’d already stirred his blood with those big sea goddess eyes of hers and that sternly bound hair. He liked her voice, the preciseness of it that seemed so intriguingly at odds with the shyness.
What would she do, pretty Jude, he wondered, if he was to ramble over now and rap on her door?
No point in frightening her to death, he decided, just because he was restless and something about her had made him want.
“Sleep well, then,” he murmured, sliding his hands into his pockets as the wind whirled around him. “One night when I go walking it won’t be to the cliffs, but to your door. Then we’ll see what we see.”
A shadow passed the window, and the curtain twitched aside. There she stood, almost as if she’d heard him. It was too far away for him to see more than the shape of her, outlined against the light.
He thought she might see him as well, just a shadow on the cliffs.
Then the curtain closed again, and moments later, the light went out.
FOUR
R ELIABILITY , J UDE TOLD herself, began with responsibility. And both were rooted in discipline. With this short lecture in her head, she rose the next morning, prepared a simple breakfast, then took a pot of tea up to her office to settle down and work.
She would not go outside and take a walk over the hills, though it was a perfectly gorgeous day. She would not wander out to dream over the flowers, no matter how pretty they looked out the window. And she certainly wasn’t going to drive into the village and spend an hour or two roaming the beach, however compelling the idea.
Though many might consider her notion of exploring the legends handed down from generation to generation in Ireland a flighty idea at best, it was certainly viable work if approached properly and with clear thinking. The oral storytelling art, as well as the written word, was one of the cornerstones in the foundation of culture, after all.
She couldn’t bring herself to acknowledge that her mosthidden, most secret desire was to write. To write stories, books, to simply open that carefully locked chamber in her heart and let the words and images rush out.
Whenever that lock rattled, she reminded herself it was an impractical, romantic, even foolish ambition. Ordinary people with average skills were better off contenting themselves with the sensible.
Researching, detailing, analyzing were sensible, things she’d been trained to do. Things, she thought with only a whisper of resentment, she’d been expected to do. The subject matter she’d selected was rebellion enough. So she would explore the psychological reason for the formation and perpetuation of the generational myths
One of the things he’d learned on his travels was what a man could settle for, and what he couldn’t. You could settle for a lumpy bed if the alternative was the floor, and be grateful. But you couldn’t settle for a woman who bored you or failed to stir your blood, no matter how fair her face.
As he was thinking that, he turned and looked out over the roll of land, over to the soft rise where the white cottage sat under the sky and stars. There was a thin haze of smoke rising from the chimney, a single light burning against the window.
Jude Frances Murray, he thought and found himself bringing her face into his mind. What are you doing in your little house on the faerie hill? Reading a good book perhaps, one with plenty of weight and profound messages. Or do you sneak into a story with fun and foolishness when no one’s around to see?
It’s image that worries you, he mused. That much he’d gotten from the hour or so she’d spent on one of his stools. What are people thinking? What do they see when they look at you?
And while she was thinking that, he mused, she was absorbing everything around her that she could see or hear. He doubted she knew it, but he’d seen it in her eyes.
He thought he would take some time to find out what he thought of her, what he saw in her, and what was real.
She’d already stirred his blood with those big sea goddess eyes of hers and that sternly bound hair. He liked her voice, the preciseness of it that seemed so intriguingly at odds with the shyness.
What would she do, pretty Jude, he wondered, if he was to ramble over now and rap on her door?
No point in frightening her to death, he decided, just because he was restless and something about her had made him want.
“Sleep well, then,” he murmured, sliding his hands into his pockets as the wind whirled around him. “One night when I go walking it won’t be to the cliffs, but to your door. Then we’ll see what we see.”
A shadow passed the window, and the curtain twitched aside. There she stood, almost as if she’d heard him. It was too far away for him to see more than the shape of her, outlined against the light.
He thought she might see him as well, just a shadow on the cliffs.
Then the curtain closed again, and moments later, the light went out.
FOUR
R ELIABILITY , J UDE TOLD herself, began with responsibility. And both were rooted in discipline. With this short lecture in her head, she rose the next morning, prepared a simple breakfast, then took a pot of tea up to her office to settle down and work.
She would not go outside and take a walk over the hills, though it was a perfectly gorgeous day. She would not wander out to dream over the flowers, no matter how pretty they looked out the window. And she certainly wasn’t going to drive into the village and spend an hour or two roaming the beach, however compelling the idea.
Though many might consider her notion of exploring the legends handed down from generation to generation in Ireland a flighty idea at best, it was certainly viable work if approached properly and with clear thinking. The oral storytelling art, as well as the written word, was one of the cornerstones in the foundation of culture, after all.
She couldn’t bring herself to acknowledge that her mosthidden, most secret desire was to write. To write stories, books, to simply open that carefully locked chamber in her heart and let the words and images rush out.
Whenever that lock rattled, she reminded herself it was an impractical, romantic, even foolish ambition. Ordinary people with average skills were better off contenting themselves with the sensible.
Researching, detailing, analyzing were sensible, things she’d been trained to do. Things, she thought with only a whisper of resentment, she’d been expected to do. The subject matter she’d selected was rebellion enough. So she would explore the psychological reason for the formation and perpetuation of the generational myths
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