to the house. He dropped clod after clod down the well. "Maybe they're all dead," he said. "But somebody'd a told me. I'd a got word some way."
"Maybe they left a letter or something to tell in the house. Would they of knowed you was comin' out?"
"I don' know," said Joad. "No, I guess not. I didn't know myself till a week ago."
"Le's look in the house. She's all pushed out a shape. Something knocked the hell out of her." They walked slowly toward the sagging house. Two of the supports of the porch roof were pushed out so that the roof flopped down on one end. And the house-corner was crushed in. Through a maze of splintered wood the room at the corner was visible. The front door hung open inward, and a low strong gate across the front door hung outward on leather hinges.
Joad stopped at the step, a twelve-by-twelve timber. "Doorstep's here," he said. "But they're gone- or Ma's dead." He pointed to the low gate across the front door. "If Ma was anywheres about, that gate'd be shut an' hooked. That's one thing she always done- seen that gate was shut." His eyes were warm. "Ever since the pig got in over to Jacobs' an' et the baby. Milly Jacobs was jus' out in the barn. She come in while the pig was still eatin' it. Well, Milly Jacobs was in a family way, an' she went ravin'. Never did get over it. Touched ever since. But Ma took a lesson from it. She never lef' that pig gate open 'less she was in the house herself. Never did forget. No- they're gone- or dead." He climbed to the split porch and looked into the kitchen. The windows were broken out, and throwing rocks lay on the floor, and the floor and walls sagged steeply away from the door, and the sifted dust was on the boards. Joad pointed to the broken glass and the rocks. "Kids," he said. "They'll go twenty miles to bust a window. I done it myself. They know when a house is empty, they know. That's the fust thing kids do when folks move out." The kitchen was empty of furniture, stove gone and the round stovepipe hole in the wall showing light. On the sink shelf lay an old beer opener and a broken fork with its wooden handle gone. Joad slipped cautiously into the room, and the floor groaned under his weight. An old copy of the Philadelphia Ledger was on the floor against the wall, its pages yellow and curling. Joad looked into the bedroom- no bed, no chairs, nothing. On the wall a picture of an Indian girl in color, labeled Red Wing. A bed slat leaning against the wall, and in one corner a woman's high button shoe, curled up at the toe and broken over the instep. Joad picked it up and looked at it. "I remember this," he said. "This was Ma's. It's all wore out now. Ma liked them shoes. Had 'em for years. No, they've went- an' took ever'thing."
The sun had lowered until it came through the angled end windows now, and it flashed on the edges of the broken glass. Joad turned at last and went out and crossed the porch. He sat down on the edge of it and rested his bare feet on the twelve-by-twelve step. The evening light was on the fields, and the cotton plants threw long shadows on the ground, and the molting willow tree threw a long shadow.
Casy sat down beside Joad. "They never wrote you nothin'?" he asked.
"No. Like I said, they wasn't people to write. Pa could write, but he wouldn't. Didn't like to. It give him the shivers to write. He could work out a catalogue order as good as the nex' fella, but he wouldn't write no letters just for ducks." They sat side by side, staring off into the distance. Joad laid his rolled coat on the porch beside him. His independent hands rolled a cigarette, smoothed it and lighted it, and he inhaled deeply and blew the smoke out through his nose. "Somepin's wrong," he said. "I can't put my finger on her. I got an itch that somepin's wronger'n hell. Just this house pushed aroun' an' my folks gone."
Casy said, "Right over there the ditch was, where I done the baptizin'. You wasn't mean, but you was tough. Hung onto that little girl's
"Maybe they left a letter or something to tell in the house. Would they of knowed you was comin' out?"
"I don' know," said Joad. "No, I guess not. I didn't know myself till a week ago."
"Le's look in the house. She's all pushed out a shape. Something knocked the hell out of her." They walked slowly toward the sagging house. Two of the supports of the porch roof were pushed out so that the roof flopped down on one end. And the house-corner was crushed in. Through a maze of splintered wood the room at the corner was visible. The front door hung open inward, and a low strong gate across the front door hung outward on leather hinges.
Joad stopped at the step, a twelve-by-twelve timber. "Doorstep's here," he said. "But they're gone- or Ma's dead." He pointed to the low gate across the front door. "If Ma was anywheres about, that gate'd be shut an' hooked. That's one thing she always done- seen that gate was shut." His eyes were warm. "Ever since the pig got in over to Jacobs' an' et the baby. Milly Jacobs was jus' out in the barn. She come in while the pig was still eatin' it. Well, Milly Jacobs was in a family way, an' she went ravin'. Never did get over it. Touched ever since. But Ma took a lesson from it. She never lef' that pig gate open 'less she was in the house herself. Never did forget. No- they're gone- or dead." He climbed to the split porch and looked into the kitchen. The windows were broken out, and throwing rocks lay on the floor, and the floor and walls sagged steeply away from the door, and the sifted dust was on the boards. Joad pointed to the broken glass and the rocks. "Kids," he said. "They'll go twenty miles to bust a window. I done it myself. They know when a house is empty, they know. That's the fust thing kids do when folks move out." The kitchen was empty of furniture, stove gone and the round stovepipe hole in the wall showing light. On the sink shelf lay an old beer opener and a broken fork with its wooden handle gone. Joad slipped cautiously into the room, and the floor groaned under his weight. An old copy of the Philadelphia Ledger was on the floor against the wall, its pages yellow and curling. Joad looked into the bedroom- no bed, no chairs, nothing. On the wall a picture of an Indian girl in color, labeled Red Wing. A bed slat leaning against the wall, and in one corner a woman's high button shoe, curled up at the toe and broken over the instep. Joad picked it up and looked at it. "I remember this," he said. "This was Ma's. It's all wore out now. Ma liked them shoes. Had 'em for years. No, they've went- an' took ever'thing."
The sun had lowered until it came through the angled end windows now, and it flashed on the edges of the broken glass. Joad turned at last and went out and crossed the porch. He sat down on the edge of it and rested his bare feet on the twelve-by-twelve step. The evening light was on the fields, and the cotton plants threw long shadows on the ground, and the molting willow tree threw a long shadow.
Casy sat down beside Joad. "They never wrote you nothin'?" he asked.
"No. Like I said, they wasn't people to write. Pa could write, but he wouldn't. Didn't like to. It give him the shivers to write. He could work out a catalogue order as good as the nex' fella, but he wouldn't write no letters just for ducks." They sat side by side, staring off into the distance. Joad laid his rolled coat on the porch beside him. His independent hands rolled a cigarette, smoothed it and lighted it, and he inhaled deeply and blew the smoke out through his nose. "Somepin's wrong," he said. "I can't put my finger on her. I got an itch that somepin's wronger'n hell. Just this house pushed aroun' an' my folks gone."
Casy said, "Right over there the ditch was, where I done the baptizin'. You wasn't mean, but you was tough. Hung onto that little girl's
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