only a shudder of relief when she saw the driver crawl from the wreckage and give the traditional wave to assure the crowd he was unharmed.
âMy God. How can a man walk away from a wreck like that?â Foxy heard Pamâs voice behind her but continued to shoot the routine of the emergency crew in the infield.
âAs I told you before, the very fragility of the racer and the improved restraints have saved more than one life on the grid.â Lance answered Pam but his attention was on Foxy. Her face was without color or expression as she lowered her camera.
âBut not all of them,â she stated as she caught the blur of Kirkâs car as it whizzed by. âAnd not every time.â She felt the cold passing as warmth seeped back under her skin. âYouâd better go interview that driver. Heâll be able to give you a firsthand report on what itâs like to see your life pass before your eyes at two hundred miles an hour.â
âYes, I will.â Pam gave her a searching look but said nothing more before she moved away.
Foxy pushed a stray hair from her face, allowing her camera to dangle by its strap. âI suppose number 15 will have more respect for turn one the next time.â
âYouâre very professional and unflappable these days, arenât you, Fox?â Lanceâs eyes were cold as steel under his lowered brows. Foxy remembered the look and felt an inward tremor.
âPhotographers have to have good nerves.â She met his look of annoyance without flinching. She knew if annoyance turned to genuine anger, he could be brutal.
âBut feelings arenât necessary,â he countered. He gathered the strap of her camera in one hand and pulled her closer. âThere was a man in number 15. You never missed a frame.â
âWhat did you expect me to do?â she tossed back. âGet hysterical? Cover my eyes with my hands? Iâve seen crashes before. Iâve seen them when they havenât walked away, when there hasnât been anything to see but a sheet of fire. Iâve watched both you and Kirk being dragged out by the epaulettes. You want emotion?â Her voice rose in a sudden torrent of fury. âGo find someone who didnât grow up on the smell of death and gasoline!â
Lance studied her in silence. Color had shot back into her face. Her eyes were like a raging sea under a haze of clouds. âTough lady, arenât you?â His tone was touched with amusement and scorn, a combination Foxy found intolerable.
âDamn right,â she agreed and tossed her chin out further. âNow, take your hands off my camera.â
At first, the only thing that moved was his left brow. It rose in an arch that might have indicated humor or acceptance. In an exaggerated gesture, he lifted both hands, holding them aloft, empty palms toward her. Still, he did not back off, and they stood toe to toe. âSorry, Fox.â She knew him well enough to detect the dregs of temper in his voice. Her own anger forced her to ignore it.
âJust leave me alone,â she ordered and started to brush by him. To her fury, he stepped neatly in her path and blocked her exit.
âIâll just be another minute,â he told her. Before she had grasped his motive, Lance had shifted the camera to her back and pulled her into his arms.
As she opened her mouth to protest he closed his over it and plundered its depths. She was caught fast. Instead of pushing against him, her hands gripped desperately on his upper arms. They would not obey the command her brain shot out to them. Her mouth answered his even as she ordered it to be cold and still. The flame sparked and burned just as quickly, just as intensely, as it had the night on the glider. She could not deny that even if her mind and her heart were her own, her body was his. Never had she known such perfection in a touch, such intimacy, such hunger. She lifted her arms to lock them
Isaac Crowe
Allan Topol
Alan Cook
Peter Kocan
Sherwood Smith
Unknown Author
Cheryl Holt
Reshonda Tate Billingsley
Angela Andrew;Swan Sue;Farley Bentley
Pamela Samuels Young