madam wants," he quipped. She counted his steps as he trudged to the stairs, then descended. Once she'd calculated that he was out of earshot, she slid back the bolt and stepped onto the landing.
The late afternoon light was failing quickly; the landing was a murky tunnel.
Downstairs, she heard the clink of glass on glass. She moved as quickly as she dared to Frank's room.
There was no sound from the gloomed interior. The walls no longer trembled, nor did distant bells toll. She pushed the door open; it creaked slightly.
She had not entirely tidied up after her labors. There was dust on the floor, human dust, and fragments of dried flesh. She went down on her haunches and collected them up diligently. Rory had been right. What a perfect hausfrau she made.
As she stood up again, something shifted in the ever-denser shadows of the room. She looked in the direction of the movement, but before her eyes could make sense of the form in the corner, a voice said:
"Don't look at me."
It was a tired voice-the voice of somebody used up by events; but it was concrete. The syllables were carried on the same air that she breathed.
"Frank," she said.
"Yes..." came the broken voice, "it's...me.
From downstairs, Rory called up to her. "Are you feeling better?"
She went to the door.
"Much better," she responded. At her back the hidden thing said: "Don't let him near me, " the words coming fast and fierce.
"It's all right," she whispered to him. Then, to Rory: "I'll be with you in a minute. Put on some music. Something soothing."
Rory replied that he would, and retired to the lounge.
"I'm only half-made," Frank's voice said. "I don't want you to see me...don't want anybody to see me...not like this..." The words were halting once more, and wretched. "I have to have more blood, Julia."
"More?"
"And soon."
"How much more?" she asked the shadows. This time she caught a better glimpse of what lay in wait there. No wonder he wanted no one to look.
"Just more, " he said. Though the volume was barely above a whisper, there was an urgency in the voice that made her afraid.
"I have to go..." she said, hearing music from below.
This time the darkness made no reply. At the door, she turned back.
"I'm glad you came," she said. As she closed the door, she heard a sound not unlike laughter behind her, nor unlike sobs.
SEVEN
1
Kirsty? Is that you?"
"Yes? Who is this?"
"It's Rory..."
The line was watery, as though the deluge outside had seeped down the phone. Still, she was happy to hear from him. He called up so seldom, and when he did it was usually on behalf of both himself and Julia. Not this time however. This time Julia was the subject under discussion.
"There's something wrong with her, Kirsty," he said. "I don't know what."
"Ill, you mean?"
"Maybe. She's just so strange with me. And she looks terrible."
"Have you said anything to her?"
"She says she's fine. But she isn't. I wondered if maybe she'd spoken with you."
"I haven't set eyes on her since your housewarming."
"That's another thing. She doesn't even want to leave the house. That's not like her."
"Do you want me to...to have a word with her?"
"Would you?"
"I don't know if it'll do any good, but I'll try. "
"Don't say anything about me talking to you."
"Of course not. I'll call in at the house tomorrow-"
("Tomorrow. It has to be tomorrow. "
"Yes...I know. "
"I'm afraid I'll lose my grip, Julia. Start slipping back.")
"I'll give you a call from the office on Thursday. You can tell me what you make of her."
("Slipping back?"
"They'll know I've gone by now. "
"Who will?"
"The Gash. The bastards that took me..."
"They're waiting for you?"
"just beyond the wall.")
Rory told her how grateful he was, and she in turn told him that it was the least a friend could do. Then he put down the phone, leaving her listening to the rain on the empty line.
Now they were both Julia's creatures, looking after her welfare, fretting for her if she had bad dreams.
No
The late afternoon light was failing quickly; the landing was a murky tunnel.
Downstairs, she heard the clink of glass on glass. She moved as quickly as she dared to Frank's room.
There was no sound from the gloomed interior. The walls no longer trembled, nor did distant bells toll. She pushed the door open; it creaked slightly.
She had not entirely tidied up after her labors. There was dust on the floor, human dust, and fragments of dried flesh. She went down on her haunches and collected them up diligently. Rory had been right. What a perfect hausfrau she made.
As she stood up again, something shifted in the ever-denser shadows of the room. She looked in the direction of the movement, but before her eyes could make sense of the form in the corner, a voice said:
"Don't look at me."
It was a tired voice-the voice of somebody used up by events; but it was concrete. The syllables were carried on the same air that she breathed.
"Frank," she said.
"Yes..." came the broken voice, "it's...me.
From downstairs, Rory called up to her. "Are you feeling better?"
She went to the door.
"Much better," she responded. At her back the hidden thing said: "Don't let him near me, " the words coming fast and fierce.
"It's all right," she whispered to him. Then, to Rory: "I'll be with you in a minute. Put on some music. Something soothing."
Rory replied that he would, and retired to the lounge.
"I'm only half-made," Frank's voice said. "I don't want you to see me...don't want anybody to see me...not like this..." The words were halting once more, and wretched. "I have to have more blood, Julia."
"More?"
"And soon."
"How much more?" she asked the shadows. This time she caught a better glimpse of what lay in wait there. No wonder he wanted no one to look.
"Just more, " he said. Though the volume was barely above a whisper, there was an urgency in the voice that made her afraid.
"I have to go..." she said, hearing music from below.
This time the darkness made no reply. At the door, she turned back.
"I'm glad you came," she said. As she closed the door, she heard a sound not unlike laughter behind her, nor unlike sobs.
SEVEN
1
Kirsty? Is that you?"
"Yes? Who is this?"
"It's Rory..."
The line was watery, as though the deluge outside had seeped down the phone. Still, she was happy to hear from him. He called up so seldom, and when he did it was usually on behalf of both himself and Julia. Not this time however. This time Julia was the subject under discussion.
"There's something wrong with her, Kirsty," he said. "I don't know what."
"Ill, you mean?"
"Maybe. She's just so strange with me. And she looks terrible."
"Have you said anything to her?"
"She says she's fine. But she isn't. I wondered if maybe she'd spoken with you."
"I haven't set eyes on her since your housewarming."
"That's another thing. She doesn't even want to leave the house. That's not like her."
"Do you want me to...to have a word with her?"
"Would you?"
"I don't know if it'll do any good, but I'll try. "
"Don't say anything about me talking to you."
"Of course not. I'll call in at the house tomorrow-"
("Tomorrow. It has to be tomorrow. "
"Yes...I know. "
"I'm afraid I'll lose my grip, Julia. Start slipping back.")
"I'll give you a call from the office on Thursday. You can tell me what you make of her."
("Slipping back?"
"They'll know I've gone by now. "
"Who will?"
"The Gash. The bastards that took me..."
"They're waiting for you?"
"just beyond the wall.")
Rory told her how grateful he was, and she in turn told him that it was the least a friend could do. Then he put down the phone, leaving her listening to the rain on the empty line.
Now they were both Julia's creatures, looking after her welfare, fretting for her if she had bad dreams.
No
Similar Books
