The House Gun

The House Gun by Nadine Gordimer Page A

Book: The House Gun by Nadine Gordimer Read Free Book Online
Authors: Nadine Gordimer
Ads: Link
somewhere—Harald’s love of reading
had been passed on when the boy was still a child. Harald recognized with the first few words, Dostoevsky, yes, Rogozhin speaking of Nastasya Filippovna. ‘She would have drowned herself long ago if she had not had me; that’s the truth. She doesn’t do that because, perhaps, I am more dreadful than the water.’

D uring the period of awaiting trial there are no proceedings in a criminal case with which the papers may feed sensations to the public. When the first reports of the Lindgard son accused of killing a man were published, there was a tacit hush formed around the arrival of the member of the Board of Directors at his office. Newspapers were turned face-down on the headlines or removed from where his eyes and those of others might meet above them. The chairman did not know whether, in the privacy of the Board Room, there should be a formal expression of sympathy and concern for the colleague held in high regard, and his wife, in their time of trouble—that was the phrasing he would have used—or whether it was more tactful and helpful to evade any official attention, the sort of thing that would be remembered although not recorded in the minutes, a kind of conviction-once-removed, going on record against Lindgard, the biological father, at least, of a crime. It was decided to make no statement from the Board. Individual members found appropriate moments when they condoled with him briefly, to limit embarrassment on both sides. The general attitude to be adopted was to show him that of course, the whole
thing was preposterous, some ghastly mistake. He thanked them, without concurring; they took this to mean simply that he did not want to talk about the ghastly mistake. Most of them had sons and daughters of their own for whom such an act would be equally impossible.
    The period was dealt with on the only model within Lindgard’s and his colleagues’ experience: a remission in an illness about whose prognosis it is best not to enquire. In the men’s room one day a colleague with whom he had been a junior together and who had more concern for frankness of human feeling than about maintaining some convention of his dignity, spoke while peeing. As if it were a double relief:—When there’s ever anything I can do—I’ve no idea what that might be—don’t hesitate for a moment, or for any reason. It must be hell. I never know whether to talk about it or not, Harald; how you’d feel. Whatever kind of frame-up it is—it must be agonizing to deal with, knowing it just couldn’t be, it’s out of the question.—
    Lindgard had washed his hands. He was pulling the roller towel fastidiously to serve himself with a dry length. Now he spoke in this tiled enclave devoted to humble body functions.
    â€”It isn’t out of the question.—
    His colleague righted himself, stood in shock. It hadn’t been said. There are some things it’s not fair to have been told, the speaker will regret the telling the moment it has been done. He went quickly to the door and then turned and came back, put the flat of his hand on Lindgard’s shoulder-blade exactly where the son had made his gesture of communication when he met his father and mother for the first time in the visitors’ room.
    Few of the doctor’s patients connected her with one of the cases of violence they might have read about. There were so many; in a region of the country where the political ambition of a leader had led to killings that had become vendettas, fomented by him, a daily tally of deaths was routine as a weather report; elsewhere,
taxi drivers shot one another in rivalry over who would choose to ride with them, quarrels in discotheques were settled by the final curse-word of guns. State violence under the old, past regime had habituated its victims to it. People had forgotten there was any other way.
    She did not work within a

Similar Books

Nights in Rodanthe

Nicholas Sparks

DeVante's Curse

S. M. Johnson

Thom Yorke

Trevor Baker

Very Bad Things

Susan McBride

Preacher's Peace

William W. Johnstone