The House of Shattered Wings

The House of Shattered Wings by Aliette de Bodard Page A

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Authors: Aliette de Bodard
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it?”
    And he could; there was no point denying it. Not when the urge to abase himself was so strong he barely dared to move; afraid that anything he did would be the beginning of a bow.
    â€œThe oldest of us,” Isabelle said. Hesitantly she reached out, touched the chair with her three-fingered hand; and withdrew as if burned. “He must have known . . .”
    â€œThe answers to your questions?” Philippe shook his head. “He would have been wise, yes, versed in everything. But if he had no memories of before his Fall . . .”
    â€œYou’re not Fallen,” Isabelle said, turning back to him. “How come you know all this?”
    â€œI’ve traveled. And kept my ears open.” He crept closer to the chair. It was like approaching an ancestral altar, the air thick with reverence and the coiled, deep power of old age; and the itching, of course, getting worse and worse, as if the ants had suddenly decided to become stinging wasps. “Oldest and most powerful among you, wasn’t he?”
    â€œWhen he was there,” Isabelle said. “Now he’s dead, for all they know.”
    Or merely gone; how to tell, without a body, without any messages? Not that it mattered much to him. Morningstar probably wouldn’t have much to say to him—though it was hard to ignore the voice in his mind that whispered that age should be respected, that the oldest Fallen in existence had to be wise, had to be knowledgeable, as his grandparents had once been—in a time so far away that even the bamboo bindings of its books had rotted through.
    There was something . . . He paused before the throne, though every instinct he had was telling him to step back, to let the magic cool down to levels he could bear. But within the pinpricks of pain, there was . . . a note that shouldn’t have been there, a wrong tone in a poem, a slip of the paintbrush in a painstakingly calligraphied text.
    â€œPhilippe?”
    He shook his head. “Not now, Isabelle.” The wrongness was coming from the throne, but not close to him. His fingers, fumbling, lingered along the delicate carvings, descended to the chair itself, the place Morningstar had been (and the power on his skin was worse, like a winter wind, like a crucible where swords were born)—probed into niches and hollows, but it wasn’t that, either. Where—?
    It was below the throne, in the slight hollow between the four squat feet that carried it—once glued to it, but now it came easily undone under his touch. It was all wrong, anger and bitterness emanating from it like the howls of the souls in the Hell of Hunger.
    â€œIt hurts.” Isabelle’s voice was a thin thread of sound.
    â€œIt’s meant to hurt,” Philippe said, recovering his voice from where it seemed to have fled. In his hand, it looked like a heavy object wrapped in paper; carefully, he spread the paper flat on the ground, tipping out its contents. The paper was thin parchment, translucent and covered with spiky black handwriting; and the same feeling of darkness, of hatred, arose from it. The language wasn’t French, or Viet, or anything he could read.
    â€œAll you hold dear will be shattered; all that you built will fall into dust; all that you gathered will be borne away by the storm. . . .” Isabelle’s voice was a whisper, but there was an echo, deep within: a hint of someone else speaking the words and imbuing them with the weight of cold iron.
    â€œYou understand it? How?”
    â€œI don’t know,” Isabelle said, carefully. She laid her hand on the paper, following the curve of the words on the page. “I think it’s a Fallen thing. The language of the City, maybe . . .”
    â€œI thought that was meant to be love,” Philippe said, attempting to summon some remnant of sarcasm, though it was hard, with the cloud of anger and hatred

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