ever suspect that they'd been ... abducted?'
Hennessey looks at him angrily. They are almost exactly the same height. 'I suspected that maybe a stranger ... But if you're implying that someone in SHCH ... Never! We all adored the children. Little Elizabeth was ... she was an angel.'
And Martin wasn't, suspects Nelson. Aloud he says, 'We'll investigate further. Thank you, Father, you've been very helpful.'
As they walk back up to the car park, Hennessey says, 'You said it looks like a child's skeleton—do you know how old the child was?'
'No,' says Nelson, 'the bones are still in the ground so we haven't been able to examine them properly. Also, the head is missing.'
'Missing?'
'Yes. We don't know why that it is.'
'The world is a strange and cruel place, Detective Chief Inspector.'
'It certainly is.'
They have reached Nelson's car and the priest holds out his hand. As they exchange vice-like grips, Hennessey says, 'I believe you're a Catholic, Detective Chief Inspector.'
Nelson drops his hand. 'How did you know?'
Hennessey smiles sweetly. 'You called me Father. Just Father. A non-Catholic would have said Father Hennessey, or even Father Patrick if they wanted to be all happy-clappy about it.'
'I haven't been to church for years,' says Nelson.
'Don't give up on God entirely,' says the priest, still smiling. 'There's always the twitch upon the thread. God bless you, my son.'
When he gets back to the station, Nelson laboriously Googles 'the twitch upon the thread' and comes up with a quotation from G.K. Chesterton: 'I caught him, with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world, and still to bring him back with a twitch upon the thread.'
'Bollocks,' says Nelson, switching off the computer.
CHAPTER 8
On the Woolmarket Street site, amongst the bulldozers, Ruth is digging. She works almost in a trance. The sun is warm on her back and, in the distance, she can hear Ted and Trace talking about last night's football. But as far as Ruth is concerned they could be on another planet. Her whole being is concentrated on the skeleton under the doorway. She has levelled off the area above the bones so that the backbone is visible. The body is crouched down, knees curled up, arms around legs. It is now clear that the head is definitely missing although Ruth will have to examine the bones before she can tell if decapitation was the cause of death.
Now, gingerly, she climbs above the trench and photographs the skeleton from another angle. A measuring pole lies beside the bones. The body, bent round as it is, is less than a metre long. A child's body, thinks Ruth, though she has to be careful. Could be an adult of restricted growth—again the bones will contain the answer.
There will have to be a post-mortem; that's standard for any human remains. Ruth will examine the bones at the same time. She is used to the process but she doesn't like it. She doesn't like the sterile atmosphere, the casual jokes of the pathologists, the smell of formaldehyde and Dettol. She remembers what Erik used to say: 'The earth is kindly. She shelters us, she protects us, to her we must return.' Ruth is taking these bones out of the kindly earth and she feels guilty. Erik was once the person Ruth looked up to most in the world but the Saltmarsh case forced her to see him, and many other things, in a different light. Now Erik is dead, his ashes burnt on a dark Norwegian lake, and Ruth has a job to do. She brushes the earth away from the exposed ribcage. In an adult the pelvis and ribs will give clues about the body's sex. In a pre-pubescent this is almost impossible to judge. Exposed now in the chalky earth, this skeleton looks heartbreakingly small.
'How are you doing?' It is Irish Ted, peering over the lip of the trench like Mr Punch.
'Not bad. Skeleton's almost exposed. Just got a few more drawings to do.'
'We've found something. Want to see?'
Ruth straightens up. Sometimes she feels
Hennessey looks at him angrily. They are almost exactly the same height. 'I suspected that maybe a stranger ... But if you're implying that someone in SHCH ... Never! We all adored the children. Little Elizabeth was ... she was an angel.'
And Martin wasn't, suspects Nelson. Aloud he says, 'We'll investigate further. Thank you, Father, you've been very helpful.'
As they walk back up to the car park, Hennessey says, 'You said it looks like a child's skeleton—do you know how old the child was?'
'No,' says Nelson, 'the bones are still in the ground so we haven't been able to examine them properly. Also, the head is missing.'
'Missing?'
'Yes. We don't know why that it is.'
'The world is a strange and cruel place, Detective Chief Inspector.'
'It certainly is.'
They have reached Nelson's car and the priest holds out his hand. As they exchange vice-like grips, Hennessey says, 'I believe you're a Catholic, Detective Chief Inspector.'
Nelson drops his hand. 'How did you know?'
Hennessey smiles sweetly. 'You called me Father. Just Father. A non-Catholic would have said Father Hennessey, or even Father Patrick if they wanted to be all happy-clappy about it.'
'I haven't been to church for years,' says Nelson.
'Don't give up on God entirely,' says the priest, still smiling. 'There's always the twitch upon the thread. God bless you, my son.'
When he gets back to the station, Nelson laboriously Googles 'the twitch upon the thread' and comes up with a quotation from G.K. Chesterton: 'I caught him, with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world, and still to bring him back with a twitch upon the thread.'
'Bollocks,' says Nelson, switching off the computer.
CHAPTER 8
On the Woolmarket Street site, amongst the bulldozers, Ruth is digging. She works almost in a trance. The sun is warm on her back and, in the distance, she can hear Ted and Trace talking about last night's football. But as far as Ruth is concerned they could be on another planet. Her whole being is concentrated on the skeleton under the doorway. She has levelled off the area above the bones so that the backbone is visible. The body is crouched down, knees curled up, arms around legs. It is now clear that the head is definitely missing although Ruth will have to examine the bones before she can tell if decapitation was the cause of death.
Now, gingerly, she climbs above the trench and photographs the skeleton from another angle. A measuring pole lies beside the bones. The body, bent round as it is, is less than a metre long. A child's body, thinks Ruth, though she has to be careful. Could be an adult of restricted growth—again the bones will contain the answer.
There will have to be a post-mortem; that's standard for any human remains. Ruth will examine the bones at the same time. She is used to the process but she doesn't like it. She doesn't like the sterile atmosphere, the casual jokes of the pathologists, the smell of formaldehyde and Dettol. She remembers what Erik used to say: 'The earth is kindly. She shelters us, she protects us, to her we must return.' Ruth is taking these bones out of the kindly earth and she feels guilty. Erik was once the person Ruth looked up to most in the world but the Saltmarsh case forced her to see him, and many other things, in a different light. Now Erik is dead, his ashes burnt on a dark Norwegian lake, and Ruth has a job to do. She brushes the earth away from the exposed ribcage. In an adult the pelvis and ribs will give clues about the body's sex. In a pre-pubescent this is almost impossible to judge. Exposed now in the chalky earth, this skeleton looks heartbreakingly small.
'How are you doing?' It is Irish Ted, peering over the lip of the trench like Mr Punch.
'Not bad. Skeleton's almost exposed. Just got a few more drawings to do.'
'We've found something. Want to see?'
Ruth straightens up. Sometimes she feels
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