Debbie glanced back with a look of distaste. “That’s Big Ben. I’ll have to check, but I think Simon’s father brought that thing home from Alaska. I’m just learning about the collection myself.”
“You’re new here?”
“Since April. We’re trying to recruit new volunteers, if you know anyone who’d like to join us. We’re especially looking for younger volunteers, to work with the children.”
Jane still couldn’t take her eyes off those lethal-looking bear claws. “I thought this was an archaeology museum,” she said. “How does this bear fit in?”
“Actually, it’s an
everything
museum, and that’s what makes it so hard to market ourselves. Most of this was collected by five generations of Crispins, but we also have a number of donated items. On the second floor, we display a lot of animals with fangs and claws. It’s strange, but that’s where the kids always seem to end up. They like to stare at carnivores. Bunnies bore them.”
“Bunnies can’t kill you,” said Jane.
“Maybe that’s what it is. We all like to be scared, don’t we?” Debbie turned and continued up the stairs.
“What’s up on the third floor?” Frost asked.
“More display space. I’ll show you. We use it for our rotating exhibits.”
“So you bring in new stuff?”
“Oh, we don’t have to bring in anything. There’s so much stored down in the basement that we could probably change that exhibit every month for the next twenty years and never repeat ourselves.”
“So what have you got up there now?”
“Bones.”
“You mean human?”
Debbie gave him a quietly amused look. “Of course. How else do we catch the attention of a hopelessly jaded public? We could show them the most exquisite Ming vase, or a carved ivory screen from Persia, and they’d turn their backs and go straight for the human remains.”
“And where do these bones come from?”
“Trust me.
These
are well documented. They were brought back from Turkey a century ago by one of the Crispins. I can’t remember which one, probably Cornelius. Dr. Robinson thought it was time to get them out of storage and back in the public eye. This exhibit’s all about ancient burial practices.”
“You sound like an archaeologist yourself.”
“Me?” Debbie laughed. “I’ve just got a lot of time on my hands, and I love beautiful things. So I think museums are worth supporting. Did you see the exhibit downstairs? Aside from the mounted carnivores, we have treasures that deserve to be seen. That’s what the museum should focus on, not stuffed bears, but you have to give the public what it wants. That’s why we had such high hopes for Madam X. She would have brought in enough cash to keep our heat turned on, at least.”
They reached the third floor and walked into the Ancient Cemeteries exhibit. Jane saw glass cases containing human bones arranged on sand, as though just uncovered by the archaeologist’s trowel. While Debbie walked briskly past them, Jane found herself falling behind, staring at skeletons curled into fetal positions, at a dead mother’s bony limbs lovingly embracing the fragmented remains of a child. The child could not have been much older than her own daughter, Regina. A whole village of the dead lies here, thought Jane. What sort of man would so brutally rip these people from their resting places and ship them to be ogled in a foreign land? Did Simon Crispin’s ancestor feel any inkling of guilt as he’d wrenched these bones from their graves? Old coins or marble statues or human bones—all were treated the same by the Crispin family. They were items to be collected and displayed like trophies.
“Detective?” said Debbie.
Leaving behind the silent dead, Jane and Frost followed Debbie into Simon Crispin’s office.
The man who sat waiting for them looked far frailer than she’d expected. His hair had thinned to white wisps, and brown age spots blotted his hands and scalp. But his piercing blue eyes were
Marissa Meyer
David Lubar
Aysha Schurman
Wendy Lynn Clark
J. A. Jance
Jack Challis
Farideh Goldin
Marja Mills
Garrett Robinson
Tim Dorsey