about the count’s role as companion to the king on the latter’s nocturnal sorties.
“You look very well, Alatriste.”
“So do you, Count.”
“Oh, I take good care of myself, but make no mistake, my friend, at court not working is very hard work indeed.”
He was still the same: handsome, elegant, and with exquisite manners that were not in the least at odds with the easy, slightly rough, almost soldierly spontaneity with which he had always treated my master ever since the latter had saved his life during a disastrous Spanish attack on the Kerkennah Islands. He toasted Breda, Alatriste, and even me; he argued with don Francisco about the syllables in a sonnet, dispatched with an excellent appetite the lamb in honey sauce served up in good Triana earthenware, called for a clay pipe and tobacco, and sat back in his chair, wreathed in pipe smoke, with his buff coat unfastened and a contented look on his face.
“Now let’s get down to serious matters,” he said.
Then, in between drawing on his pipe and taking sips of Aracena wine, he studied me for a moment as if calculating whether or not I should be listening to what he was about to say, and then, at last, he laid the facts before us. He began by explaining that the system of fleets to transport the gold and silver, Seville’s commercial monopoly, the strict controls imposed on who could and could not travel to the Indies had all been devised to prevent foreign interference and smuggling and to ensure the smooth running of the vast machinery of taxes, duties, and tariffs on which the monarchy and its many parasites depended. That was the reason for the almojarifazgo : the customs cordon around Seville, Cádiz, and its bay, which was the only port from which ships could embark for the Indies and disembark on their return. The royal coffers drew a large income from this, although it should be noted that in a corrupt administration like Spain’s, it was in the crown’s interest to let agents and other people in authority pay a fixed rate for their positions and then surreptitiously line their own pockets, stealing money hand over fist. In lean times, however, there was nothing to prevent the king from occasionally imposing an exemplary fine or ordering the seizure of goods from private individuals who were traveling with the fleets.
“The problem,” said the count, taking a couple of puffs on his pipe, “is that all these taxes, which are intended to pay for the defense of our trade with the Indies, devour the very thing they’re supposed to defend. A lot of gold and silver goes toward paying not only for the war in Flanders but also for the widespread corruption and general apathy. And so merchants have to choose between two evils: being bled dry by the Royal Treasury or else indulging in a little contraband, all of which breeds a thriving criminal class.” He looked at Quevedo, smiling, soliciting his agreement. “Isn’t that so, don Francisco?”
“Oh, yes,” agreed the poet. “Here, even the fools are clever.”
“Or busily putting gold in their purses.”
“Very true.” Quevedo took a long drink of wine, then wiped his mouth with the back of his hand. “He remains a powerful gentleman, does our Sir Money.”
Guadalmedina looked at him, surprised. “Very well put. You should write a poem about it.”
“I have.”
“Really? Well, I’m pleased.”
“In the Indies he was born an honest man . . .” don Francisco began, taking another sip of wine and reciting in a resonant voice.
“Oh, that,” said the count, winking at Alatriste. “I thought that was by Góngora.”
The poet choked on his wine. “God’s teeth and blood!”
“All right, my friend, all right . . .”
“No, Devil take it, it’s not all right. Not even a Lutheran could come up with a worse insult. What have I to do with poetasters and versifiers like him who, in one bound, go from being Jews or Moors to playing at being shepherds?”
“It was only a
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