waist.
âYou going to talk to Jack?â I ask.
She grimaces. âNo. I talked to him last night.â
âIâm surprised he was in any shape to have a conversation.â
âHe wasnât. But he called me after I got home, and I went over there.â She turns a forced smile to me.
âHe have any idea about how to deal with Curtis?â
âWe didnât get around to that.â She stands up. âLetâs get out of here. Iâm tired. Guess Iâm too old for this.â
I promised Laurel that Iâd have a talk with Woody, so I go over Saturday morning. Woody and Laurel live in Laurelâs old home place, a sprawling octopus of a house thatâs been added on to every which way. I make my way through a yard littered with all kinds of kidâs conveyances, most of them missing a wheel or two.
My knock on the door generates shrieks inside the house that make me steel myself in case I get tackled. But itâs Laurel who answers the door. Sheâs laughing. âCome on in. These boys are about to get sent off to the insane asylum at Rusk; or maybe Iâll get sent there for strangling them barehanded.â
One of the ruffians in question, a boy of about five, charges up to the door and looks me up and down and bellows, âHowdy Mister!â Then he screams and dashes away.
âI can see your problem,â I say.
âIf youâre looking for Woody, heâs out back. Iâll throw some hamburgers into these boys, which may give you two time to talk.â
âItâs a little early for lunch, isnât it?â
âNot when youâre up at six. On a school day I have to drag them out of bed, but this is Saturday. They get up at the crack of dawn so they donât miss a minute of it.â
She leads me through a minefield of toys to the back door. In some part of the house thereâs a TV turned on loud, probably Laurelâs mother, who lives with them, trying to drown out the racket. I canât even imagine how Laurelâs mother would react to having Jack live here.
Out back, Woody is standing in front of his work shed, in the final stages of painting a chest of drawers. Heâs put a coat of shiny black on the frame and painted the drawers a shade of jade green. I never imagined that Woody would end up making a living refinishing furniture; but turns out he has a knack for it, and he gets orders from as far away as Houston. Heâs a happy man with a paintbrush in his hand. A couple of scruffy dogs lie in the shade at the side of the shed. They lift their heads to examine me, decide Iâm all right, and go back to their nap.
âChief Craddock, this is a nice surprise. Let me finish this little corner and then Iâll be right with you.â
He hums along with a country and western song blaring from his portable radio as he finishes up. Then he steps back to admire the work. âWhat do you think?â
âLooks good to me.â
He turns down the radio and disappears into the shed for a few minutes to clean his brushes. He comes back out drying his hands just as Laurel pokes her head out and tells us sheâs got some coffee ready.
We take our coffee to a rickety wooden table and a couple of chairs out under a pecan tree. Itâs hot, but the trees give us some shade.
I meant to buttonhole Woody at Bob Harbinâs funeral, but with the commotion, I didnât have the opportunity. And now that Iâm here, I canât think how to approach him without seeming presumptuous.
âSounds like Coach Eldridge redeemed himself last night,â he says, rescuing me for the moment. âLaurel and I had to go to Bobtail and couldnât make the game.â
He takes a sip of his coffee, grimaces, and tosses the rest of it onto the grass. âThe day Laurel learns how to make coffee is going to be a red letter day.â
I grin. I know what he means, having already tried mine and found it
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