was a seventy-year-old Georgian named Bougaschwili, but "Schwili" for short. Schwili had a polished bald head and stooped shoulders and trousers cut for a clown--very low in the crotch and short in the leg. A black Homburg hat,worn indoors as much as out, topped the quaint confection. Schwili had begun life as a smuggler and confidence trickster, trades not uncommon in his home region, but in middle life he had turned his trade to forger of all kinds. His greatest feat had been performed in the Lubyanka, where he had faked documents for fellow inmates from back numbers of Pravda, repulping them to press his own paper. Released at last, he had applied the same genius to the world of fine art, both as a forger and as an expert under contract to distinguished galleries. Several times, he claimed, he had had the pleasure of authenticating his own fakes. Kurtz loved Schwili and, when he had a spare ten minutes, would march him off to an ice-cream parlour at the bottom of the hill and buy him a double caramel, Schwili's best flavour.
Kurtz also supplied Schwili with the two most unlikely helpers anyone could have imagined. The first--a Litvak discovery--was a graduate of London University named Leon, an Israeli who by no choice of his own had had an English childhood, for his father was a kibbutzmâcher who had been dispatched to Europe as the representative of a marketing cooperative:mâcher being the Yiddish word for a busybody or a fellow on the move. In London, Leon had developed a literary interest, edited a magazine, and published a completely unregarded novel. His obligatory three years in the Israeli Army left him miserable, and on release he went to earth in Tel Aviv, where he attached himself to one of the intellectual weeklies that come and go like pretty girls. By the time it collapsed, Leon was writing the whole thing single-handed. Yet somehow, among the peace-obsessed, claustrophobic young of Tel Aviv, he experienced the deep reawakening of his identity as a Jew and, with it, a burning urge to rid Israel of her enemies, past and future.
"From now on," Kurtz told him, "you write for me. A big readership you won't have. But appreciative--that they will be."
Schwili's second helper after Leon was a Miss Bach, a quiet-mannered business lady from South Bend, Indiana. Impressed equally by her intelligence and her non-Jewish appearance, Kurtz had recruited Miss Bach, trained her in a variety of skills, and eventually dispatched her to Damascus as an instructor in computer programming. Thereafter, for several years, the sedate Miss Bach reported on the capacity and disposition of Syrian air radar systems. Recalled at last, Miss Bach had been talking wistfully of taking up the wagon-trail life of a West Bank settler when the new summons from Kurtz saved her from this discomfort.
Schwili, Leon, Miss Bach, therefore: Kurtz called the incongruous trio his Literacy Committee, and gave it special standing within his fast-expanding private army.
In Munich, his business was administrative, but he went about it with a hushed delicacy, contriving to force his driving nature into the most modest mould of all. No fewer than six members of his newly formed team had now been installed there, and they occupied two quite separate establishments, in quite different areas of town. The first team consisted of two outdoor men. They should have been a full five, but Misha Gavron was still determined to keep him on a short rein, so they were two. Collecting Kurtz not from the airport but from a glumcaféin Schwabing, and using a rickety builder's van to hide him in--the van also was an economy--they drove him to the Olympic! Village, to one of the dark underground car parks there, a favourite haunt for muggers and prostitutes of both sexes. The Village is not a village at all, of course, but a marooned and disintegrating citadel of grey concrete, more reminiscent of an Israeli settlement than anything that can be found in
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