round the corner at the end of the street into Marylebone Road. And not even then, at the very end, did she look back.
I turned to the room, washed up the breakfast things, made the bed; then I sat at the table and wrote out a cheque for fifty pounds, and a little note.
Alison darling, please believe that if it was to be anyone, it would have been you; that I’ve really been far sadder than I could show, if we were not both to go mad. Please wear the earrings. Please take this money and buy a scooter and go where we used to go – or do what you want with it. Please look after yourself. Oh God, if only I was worth waiting for… NICHOLAS
It was supposed to sound spontaneous, but I had been composing it on and off for days. I put the cheque and the note in an envelope, and set it on the mantelpiece with the little box containing the pair of jet earrings we had seen in a closed antique-shop one day. Then I shaved and went out to get a taxi.
The thing I felt most clearly, when the first corner was turned, was that I had escaped; and hardly less clearly, but much more odiously, that she loved me more than I loved her, and that consequently I had in some indefinable way won. So on top of the excitement of the voyage into the unknown, the taking wing again, I had an agreeable feeling of emotional triumph. A dry feeling; but I liked things dry. I went towards Victoria as a hungry man goes towards a good dinner after a couple of glasses of Mananzilla. I began to hum, and it was not a brave attempt to hide my grief, but a revoltingly unclouded desire to celebrate my release.
7
Four days later I was standing on Hymettus, looking down over the great complex of Athens-Piraeus, cities and suburbs, houses split like a million dice over the Attic plain. South stretched the pure blue late-summer sea, pale pumice-coloured islands, and beyond them the serene mountains of the Peloponnesus stood away over the horizon
in a magnificent arrested flow of land and water. Serene, superb, majestic: I tried for adjectives less used, but anything else seemed underweight. I could see for eighty miles, and all pure, all noble, luminous, immense, all as it always had been.
It was like a journey into space. I was standing on Mars, knee-deep in thyme, under a sky that seemed never to have known dust or cloud. I looked down at my pale London hands. Even they seemed changed, nauseatingly alien, things I should long ago have disowned.
When that ultimate Mediterranean light fell on the world around me, I could see it was supremely beautiful; but when it touched me, I felt it was hostile. It seemed to corrode, not cleanse. It was like being at the beginning of an interrogation under arc-lights; already I could see the table with straps through the open doorway, already my old self began to know that it wouldn’t be able to hold out. It was partly the terror, the stripping-to-essentials, of love; because I fell totally and for ever in love with the Greek landscape from the moment I arrived. But with the love came a contradictory, almost irritating, feeling of impotence and inferiority, as if Greece were a woman so sensually provocative that I must fall physically and desperately in love with her, and at the same time so calmly aristocratic that I should never be able to approach her.
None of the books I had read explained this sinister-fascinating, this Circe-like quality of Greece; the quality that makes it unique. In England we live in a very muted, calm, domesticated relationship with what remains of our natural landscape and its soft northern light; in Greece landscape and light are so beautiful, so all-present, so intense, so wild, that the relationship is immediately love-hatred, one of passion. It took me many months to understand this, and many years to accept it.
Later that day I was standing at the window of a room in the hotel to which the bored young man who received me at the British Council had directed me. I had just written a letter to
I turned to the room, washed up the breakfast things, made the bed; then I sat at the table and wrote out a cheque for fifty pounds, and a little note.
Alison darling, please believe that if it was to be anyone, it would have been you; that I’ve really been far sadder than I could show, if we were not both to go mad. Please wear the earrings. Please take this money and buy a scooter and go where we used to go – or do what you want with it. Please look after yourself. Oh God, if only I was worth waiting for… NICHOLAS
It was supposed to sound spontaneous, but I had been composing it on and off for days. I put the cheque and the note in an envelope, and set it on the mantelpiece with the little box containing the pair of jet earrings we had seen in a closed antique-shop one day. Then I shaved and went out to get a taxi.
The thing I felt most clearly, when the first corner was turned, was that I had escaped; and hardly less clearly, but much more odiously, that she loved me more than I loved her, and that consequently I had in some indefinable way won. So on top of the excitement of the voyage into the unknown, the taking wing again, I had an agreeable feeling of emotional triumph. A dry feeling; but I liked things dry. I went towards Victoria as a hungry man goes towards a good dinner after a couple of glasses of Mananzilla. I began to hum, and it was not a brave attempt to hide my grief, but a revoltingly unclouded desire to celebrate my release.
7
Four days later I was standing on Hymettus, looking down over the great complex of Athens-Piraeus, cities and suburbs, houses split like a million dice over the Attic plain. South stretched the pure blue late-summer sea, pale pumice-coloured islands, and beyond them the serene mountains of the Peloponnesus stood away over the horizon
in a magnificent arrested flow of land and water. Serene, superb, majestic: I tried for adjectives less used, but anything else seemed underweight. I could see for eighty miles, and all pure, all noble, luminous, immense, all as it always had been.
It was like a journey into space. I was standing on Mars, knee-deep in thyme, under a sky that seemed never to have known dust or cloud. I looked down at my pale London hands. Even they seemed changed, nauseatingly alien, things I should long ago have disowned.
When that ultimate Mediterranean light fell on the world around me, I could see it was supremely beautiful; but when it touched me, I felt it was hostile. It seemed to corrode, not cleanse. It was like being at the beginning of an interrogation under arc-lights; already I could see the table with straps through the open doorway, already my old self began to know that it wouldn’t be able to hold out. It was partly the terror, the stripping-to-essentials, of love; because I fell totally and for ever in love with the Greek landscape from the moment I arrived. But with the love came a contradictory, almost irritating, feeling of impotence and inferiority, as if Greece were a woman so sensually provocative that I must fall physically and desperately in love with her, and at the same time so calmly aristocratic that I should never be able to approach her.
None of the books I had read explained this sinister-fascinating, this Circe-like quality of Greece; the quality that makes it unique. In England we live in a very muted, calm, domesticated relationship with what remains of our natural landscape and its soft northern light; in Greece landscape and light are so beautiful, so all-present, so intense, so wild, that the relationship is immediately love-hatred, one of passion. It took me many months to understand this, and many years to accept it.
Later that day I was standing at the window of a room in the hotel to which the bored young man who received me at the British Council had directed me. I had just written a letter to
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