were so very attractive, in that settled, comfortable way of the leafy outer suburbs of postwar London, that the bus itself—despite being upholstered in much the same way as all other London buses of the day—somehow felt plusher and more comfortable too. And so the driver and conductor seemed to me at least to take a greater pride in their vehicle and to relax into its routine more than other busmen.
The conductor, paid a little less than the skilled driver, was usually but not always a younger man (there were hardly any women). His function was ostensibly to keep order and collect fares; but since large tracts of countryside were often covered with relatively few passengers and stops, his task was hardly preoccupying. In practice he kept the driver company. The driver in his turn was part of the bus (his compartment integrated into the interior body) and thus often well known—sometimes by his first name—to passengers on his route. There was no question of the loneliness of the long-distance driver on the Green Line buses. Whether there was a question of class is another matter. Because the Green Lines cost more and picked up passengers from the suburbs as well as across the city, many of their patrons were probably a class or so removed from the typical bus user of those days. Whereas most people who took red buses to work in the 1950s would not have been in a position to commute by car even if they had wished to, a goodly share of the Green Line business in later years was lost to automobile commuters.
Thus whereas drivers, conductors, and passengers on the inner London buses were often drawn from the same social groups, Green Line commuters were more likely to be middle-class. This probably resulted in the reproduction on the bus of some of the patterns of deference still endemic to British society at large. It also made the buses quieter. However, the rather palpable pride that the Green Line teams took in their bus—they spent more time on it and were less likely to be moved to different services at short notice, in particular the drivers who had to learn long and complicated routes—compensated in some measure for these social hierarchies. The result was that everyone on the bus felt quite pleased with themselves, or seemed to. Even at the age of eleven I remember thinking that the bus smelled reassuring, more like a library or an old bookstore than a means of transport. This otherwise inexplicable association probably drew on the few public places that I associated with calm rather than noise and bustle.
I continued to use the Green Line buses into the mid-Sixties. By then I was chiefly catching them late at night (the last Green Line in those days usually left its depot around 10 PM), returning from Zionist youth meetings or a tryst with a girlfriend. The Green Line at that time of the evening was usually on time (unlike the red buses it ran to a published schedule); if you were late to the stop, you missed it. In which case I would be doomed to a long and cold wait on a station platform for the rare night train, followed by a cheerless and tiring walk home from some inconveniently sited Southern Railway station. Catching the Green Line thus felt good, a comfort and a security against the chill London night and a promise of safe, warm transport home.
Today’s Green Line buses are but a shadow of their predecessors. They are owned and run by Arriva, the worst of the private companies now responsible for providing train and bus services to British commuters, at exorbitant prices. With rare exceptions the buses avoid central London, being routed instead between the new reference points of British topography: Heathrow Airport, Legoland, etc. Their color is an accident of history, bearing no relation to their function: indeed, the green livery is now punctuated with pastel and other shades—an unintended reminder that neither the buses nor the service they provide stand for any integrated or common
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