The Moon Is Down by John Steinbeck Page A

magazines which extol gardening and continually argue about the relative merits of English and Gordon setters. Captain Bentick spent all his holidays in Sussex and liked to be mistaken for an Englishman in Budapest or Paris. The war changed all that outwardly, but he had sucked on a pipe too long, had carried a stick too long, to give them up too suddenly. Once, five years before, he had written a letter to the Times about grass dying in the Midlands and had signed it Edmund Twitchell, Esq.; and, furthermore, the Times had printed it.
    If Captain Bentick was too old to be a captain, Captain Loft was too young. Captain Loft was as much a captain as one can imagine. He lived and breathed his captaincy. He had no unmilitary moments. A driving ambition forced him up through the grades. He rose like cream to the top of milk. He clicked his heels as perfectly as a dancer does. He knew every kind of military courtesy and insisted on using it all. Generals were afraid of him because he knew more about the deportment of a soldier than they did. Captain Loft thought and believed that a soldier is the highest development of animal life. If he considered God at all, he thought of Him as an old and honored general, retired and gray, living among remembered battles and putting wreaths on the graves of his lieutenants several times a year. Captain Loft believed that all women fall in love with a uniform and he did not see how it could be otherwise. In the normal course of events he would be a brigadier-general at forty-five and have his picture in the illustrated papers, flanked by tall, pale, masculine women wearing lacy picture hats.
    Lieutenants Prackle and Tonder were snot-noses, undergraduates, lieutenants, trained in the politics of the day, believing the great new system invented by a genius so great that they never bothered to verify its results. They were sentimental young men, given to tears and to furies. Lieutenant Prackle carried a lock of hair in the back of his watch, wrapped in a bit of blue satin, and the hair was constantly getting loose and clogging the balance wheel, so that he wore a wrist watch for telling time. Prackle was a dancing-partner, a gay young man who nevertheless could scowl like the Leader, could brood like the Leader. He hated degenerate art and had destroyed several canvases with his own hands. In cabarets he sometimes made pencil sketches of his companions which were so good that he had often been told he should have been an artist. Prackle had several blond sisters of whom he was so proud that he had on occasion caused a commotion when he thought they had been insulted. The sisters were a little disturbed about it because they were afraid someone might set out to prove the insults, which would not have been hard to do. Lieutenant Prackle spent nearly all his time off duty daydreaming of seducing Lieutenant Tonder’s blond sister, a buxom girl who loved to be seduced by older men who did not muss her hair as Lieutenant Prackle did.
    Lieutenant Tonder was a poet, a bitter poet who dreamed of perfect, ideal love of elevated young men for poor girls. Tonder was a dark romantic with a vision as wide as his experience. He sometimes spoke blank verse under his breath to imaginary dark women. He longed for death on the battlefield, with weeping parents in the background, and the Leader, brave but sad in the presence of the dying youth. He imagined his death very often, lighted by a fair setting sun which glinted on broken military equipment, his men standing silently around him, with heads sunk low, as over a fat cloud galloped the Valkyries, big-breasted, mothers and mistresses in one, while Wagnerian thunder crashed in the background. And he even had his dying words ready.
    These were the men of the staff, each one playing war as children play “Run, Sheep, Run.” Major Hunter thought of war as an arithmetical job to be done so he could get back to his fireplace; Captain Loft as the proper career