The Moslem Wife and Other Stories by Mavis Gallant, Mordecai Richler Page B

My
hair.”
    She was born in an ugly city, and so was Peter, but they have this difference: she does not know the importance of the first snow – the first clean thing in a dirty year. He would have told her then that this storm, which was wetting her feet anddestroying her hair, was like the first day of the English spring, but she made a frightened gesture, trying to shield her head. The gesture told him he did not understand her beauty.
    “Let me,” she said. He was fumbling with the key, trying to lock the car. She took the key without impatience and locked the door on the driver’s side; and then, to show Peter she treasured him and was not afraid of wasting her life or her beauty, she took his arm and they walked in the snow down a street and around a corner to the apartment house where the Burleighs lived. They were, and are, a united couple. They were afraid of the party, and each of them knew it. When they walk together, holding arms, they give each other whatever each can spare.
    Only six people had arrived in costume. Madge Burleigh was disguised as Manet’s “Lola de Valence,” which everyone mistook for Carmen. Mike was an Impressionist painter, with a straw hat and a glued-on beard. “I am all of them,” he said. He would rather have dressed as a dentist, he said, welcoming the Fraziers as if he had parted from them the day before, but Madge wanted him to look as if he had created her. “You know?” he said.
    “Perfectly,” said Sheilah. Her shoes were stained and the snow had softened her lacquered hair. She was not wasted; she was the most beautiful woman here.
    About an hour after their arrival, Peter found himself with no one to talk to. He had told about the Trudeau wedding in Paris and the pot of azaleas, and after he mislaid his audience he began to look round for Sheilah. She was on a window seat, partly concealed by a green velvet curtain. Facing her, so that their profiles were neat and perfect against the night, was a man. Their conversation was private and enclosed, as if they had in minutes covered leagues of time and arrived at the place where everything was implied, understood. Peter beganworking his way across the room, toward his wife, when he saw Agnes. He was granted the sight of her drowning face. She had dressed with comic intention, obviously with care, and now she was a ragged hobo, half tramp, half clown. Her hair was tucked up under a bowler hat. The six costumed guests who had made the same mistake – the ghost, the gypsy, the Athenian maiden, the geisha, the Martian, and the apache – were delighted to find a seventh; but Agnes was not amused; she was gasping for life. When a waiter passed with a crowded tray, she took a glass without seeing it; then a wave of the party took her away.
    Sheilah’s new friend was named Simpson. After Simpson said he thought perhaps he’d better circulate, Peter sat down where he had been. “Now look, Sheilah,” he began. Their most intimate conversations have taken place at parties. Once at a party she told him she was leaving him; she didn’t, of course. Smiling, blue-eyed, she gazed lovingly at Peter and said rapidly, “Pete, shut up and listen. That man. The man you scared away. He’s a big wheel in a company out in India or someplace like that. It’s gorgeous out there. Pete, the
servants
. And it’s warm. It never never snows. He says there’s heaps of jobs. You pick them off the trees like … orchids. He says it’s even easier now than when we owned all those places, because now the poor pets can’t run anything and they’ll pay
fortunes
. Pete, he says it’s warm, it’s heaven, and Pete, they pay.”
    A few minutes later, Peter was alone again and Sheilah part of a closed, laughing group. Holding her elbow was the man from the place where jobs grew like orchids. Peter edged into the group and laughed at a story he hadn’t heard. He heard only the last line, which was, “Here comes another tunnel.” Looking out