which is good. Nylan and everyone else at GNNâand all the other networksâknow who you are, and that youâre good at what you do. But it does raise the question of how do you top it.â
âI donât want to get desperate and search for something sensational. Iâm a workhorse, Greg, Iâm in this for the long haul. Iâd like to do some substantive stories even if they donât blaze across the screen.â
âGood to hear. Iâve seen a lot of smart young reporters so anxious for a hot story that they made stupid mistakes.â
âLike?â
âNot doing your homework is number one. You have to understand what youâre covering. Showing up unprepared for an interview is a closeâand closely relatedâsecond. Being so aggressive that it backfires is anotherâif you push too hard, peopleâs natural instinct is to recoil. Itâs really Journalism 101.â
âStill, itâs good to be reminded.â
The restaurant is filling up; everyone looks bright and attractive, leaning toward each other, saying fascinating things. Erica finds the chatter and hum enlivening, inspiring; who cares about foodâthis city nourishes her. And being here with Gregâsavvy Gregâmakes her feel a part of it all, a nascent New Yorker.
âIf I quoted Shakespeare, would you think I was a pompous jerk?â Greg asks.
âTotally.â
âI just had to make sure. Hamlet tells the actors that âin the tempest and whirlwind of your passion, you must acquire and beget a temperament that will give it smoothness.â â
âDidnât you do a little editing?â
âI quit. Youâre too good.â
They laugh. âIâm sorry, that was obnoxious of me,â Erica says. âItâs just that my mentor at Yale loved that quote too . . . give it smoothness . . . â The words hang in the air between them.
Their food arrives. Suddenly Erica is famished, and she digs in with gusto.
âHowâs the angel hair?â Greg asks.
âHeavenly. Listen, Greg, you know my history because you hired me. Iâd like to know more of your story.â
âI donât want to turn this into a dull dinner.â
âHow about I be the judge of that?â
âYou have only yourself to blame. Grew up in a small town in western PA. Father mailman. Wants son to follow in footsteps. Son says no way and joins army day he graduates high school. Learns photography. Leaves army. Works as a freelance photographer. In midthirties gets tired of hustling assignments and having roommates. Gets into news business. Works hard. Gets promoted. Makes good money. Is having dinner with recently hired, incredibly attractive reporter.â
âWho thinks he uses irony as a defense.â
âWhich only makes her more attractive.â
âGreg, Iâm an investigative reporter. I know that you worked as a war photographer during the first Gulf War and then in other hot spots around the world. Iâd like to hear about that.â
Greg looks down at the table and something sets in his face, his mouth tightens. âYou want to know what that was like? You want to know what it felt like to witness the fog of war, the wanton killing of civilians, the rapes, the piles of rubble where houses once stood and families once lived and where, from under the twisted wreckage, you hear the dying cry for help with their last breaths, where you see a six-year-old boy with his leg just blown off, where you see a mother nursing her infant until a piece of shrapnel decapitates the baby and you still hear her wail when you wake up in a sweat at three a.m.? Is that what you want to know?â Still not looking at Erica, Greg sits back in his chair and exhales. âIâm sorry. That was unfair and unkind.â
Erica waits a moment and then says, âAnd honest.â
He looks at her, and under the anger she sees loss and
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