The Night Eternal by Guillermo del Toro, Chuck Hogan Page B

and the location of Eph’s hideout, to the Master. And unlike Eph, she was too considerate to risk betraying their alliance.
    Betraying it to the Master, that is. She had already betrayed Eph with Fet. Betrayed him within their alliance. Which she felt particularly guilty about, but again, Eph was always a few minutes late. This proved it. She had been so patient with him—too patient, especially with his drinking—and now she was living fully for herself.
    And her mother. She felt the old woman pulling at her grip and opened her eyes.
    “There’s a hair in my face,” said her mother, trying to swipe it away.
    Nora examined her quickly. Nothing. But she pretended to see a single strand and released her mother’s arm momentarily to pluck it away. “Got it,” she said. “All set now.”
    But she could tell from her mother’s fidgeting that her ploy had not worked. Her mother tried blowing at it. “Tickles. Let me go!”
    Nora felt a head or two turn. She released her mother’s arm. The old woman brushed at her face, then tried to remove her hood.
    Nora forced it back on over her head, but not before a shock of unkempt silver-gray was briefly visible.
    She heard someone gasp near her. Nora fought the urge to look, trying to remain as inconspicuous as possible. She heard whispering, or else imagined she did.
    She leaned toward the yellow line, hoping to see train headlights.
    “There he is!” shouted her mother. “Rodrigo! I see you. Don’t pretend!”
    She was yelling the name of their landlord from when Nora was a child. A rail-thin man, Nora recalled, with a great mop of black hair and hips so narrow he carried his tool belt rather than wore it. The man she was calling to now—dark-haired, but no double for the Rodrigo of thirty years ago—looked over attentively.
    Nora turned her mother away, trying to shush her. But her mother twisted back around, her hood slipping back from her face as she tried to call to the phantom landlord.
    “Mama,” implored Nora. “Please. Look at me. Silence.”
    “He’s always there to flirt with me, but when there is work to be done …”
    Nora wanted to clamp her hand over her mother’s mouth. She fixed the hood and walked her away down the platform, only drawing more attention in the process. “Mama, please . We will be discovered.”
    “Lazy bastard, he is!”
    Even if her mother was mistaken for a drunk, there would be trouble. Alcohol was prohibited, both because it affected the blood and because it promoted antisocial behavior.
    Nora turned, thinking about fleeing the station—and saw headlights brightening the tunnel. “Mama, our train. Shhhh. Here we go.”
    It pulled in. Nora waited at the first car. A few passengers disembarked before Nora rushed her mother inside, finding a pair of seats together. The 6 train would get them to Fifty-ninth Street in a matter of minutes. She fixed her mother’s hood back on her head and waited for the doors to close.
    Nora noticed that no one else sat near them. She looked down the length of the car in time to see the other entering passengers look quickly away. Then she looked out onto the platform and saw a young couple out standing with two Transit Authority cops—humans—pointing at the first subway car. Pointing at Nora.
    Close the doors, she pled silently.
    And they did. With the same random efficiency the New York transit system had always exhibited, the doors slid shut. Nora waited for the familiar lurch, looking forward to getting back over to vampire-free Roosevelt Island and waiting there for Fet’s return.
    But the car did not start forward. She waited for it, one eye on her fellow passengers at the other end of the car, the other on the transit cops walking toward the car. Behind them now were the two vampires, red eyes fixed on Nora. Behind them stood the concerned couple who had pointed out Nora and her mother.
    The couple had thought they were doing the right thing, following the new laws. Or perhaps they