both of these men will be dead within ten days.â
âThat would be gratifyingâif their immediate demise was what I had in mind.â
Judging by the brief silence, the person concealed on the forested side of the hedge might have been slightly taken aback. âWhat do you have in mind?â
After explaining her intent in some detail, Francine added, âI want those two grinning cops to sufferâlike I am suffering. But I donât want either of them killedânot until I am in my grave. Then, you may feel free to deal with them in any manner that suits youâat my expense, of course. I will arrange payment through our trustworthy intermediary.â
âVery well. Unless one or both of them gets in my way, I wonât harm a hair on their heads while carrying out the immediate assignment. And after your death, I will dispose of them promptly.â Two heartbeats. âBut I suggest that you consider the costâthis will be a complex, dangerous taskâand even more expensive than my usual work.â
âName your price.â
The assassin did. Including a substantial advance for âmiscellaneous expenses.â
The old woman caught her breath. Held it. Then: âAgreed.â
âThen consider it done.â A pause. âThere is,â the concealed visitor said, âone last thing.â
âWhat might that be?â
âIn the pawpaw tree, there is a bird feeder hanging from a branchâwithin easy reach.â
âI am well aware of that fact. I am the benefactor who provides expensive seed for my famished little feathered friends.â Francineâs mouth puckered into an expression that suggested a porcine smile. âMay I assume that you have placed something there for me?â
âYou may. And it is to be used only in the case of an emergency.â
âOh, myâa cyanide capsule?â
âNothing quite so dramatic. Just yesterday, I purchased a matched pair of inexpensive mobile telephones. One for myself, the other for you. I will keep my instrument for ⦠let us say ⦠two weeks.â Two heartbeats. âIf something should come up that I absolutely must know about, you may call the only number listed in your telephoneâs directory.â
âI understand.â Francine Hootenâs eyes were focused intently on the feeder. âBut such an eventuality seems unlikely.â
âLet us hope so.â
Â
CHAPTER TEN
HOW MARCELLA (NOT THE NAME ON HER BIRTH CERTIFICATE) IS USING HER TV BREAK
Is Mrs. Hootenâs maid enjoying her afternoon television show? In a wordâno. In seven more: she cannot stomach I Love Lucy reruns.
The Sony portable television in her second-floor bedroom is turned on, the volume set loud enough to be heard downstairs by the nosy butlerâand by Mrs. Hooten, should the lady of the house return unexpectedly. Marcella has withdrawn to a third-floor storage room where cherished family heirlooms (along with miscellaneous other junk) have been deposited for a hoped-for posterity thatâwith LeRoy Hooten having met his untimely end in Coloradoâwill never be born to inherit. Yes, even mean-down-to-the-marrow mobster moms look forward to darling grandchildren on whom they can dote.
*Â Â Â *Â Â Â *
From where the maid was seated in a dusty, purple velvet armchair, she could peer from one of the mansionâs rear, east-facing gables. Her sober gaze was presented with a vast, misty vista of forest where the winding ribbon of the Wabash River was shrouded under a vaporous layer of gray, undulating mist. This domestic worker, who earned some eight hundred dollars per month plus room and essential victuals, had little interest in hardwood forests or silty midwestern watercourses, but even if she had, Marcella could see neither the foggy Wabash nor the treesâexcepting a few dozen oaks and maples behind the rose gardenâs bushy hedge. Her
Connie Mason with Mia Marlowe
Craig Stockings
June Gray
S. Celi
Claire Robyns
A. E. van Vogt, van Vogt
Jonathan Gash
T. L. Haddix
Bill Pronzini
James Welch