for a spear. But you heard it, didnât you? And then he screamed.â
âI donât count that. Iâm only going on what I heard last night,â said Roger.
âAnd the lawn this afternoon.â
âYou think itâs haunted, then?â
âGhosts donât eat mice,â said Gwyn. âWhatever chewed that mouse could chew me or you.â
âI give up,â said Roger. âBut if thereâs any more of it Iâm off, Iâll tell you.â
âHow will you manage?â said Gwyn.
âDadâs steerable when you know how.â
âAnd the new Mrs Bradley?â said Gwyn. âA kind of family honeymoon, is it?â
âMind your own business,â said Roger. He spiked the tripod into the earth and set up the camera.
âWhat happened to your real Mam?â said Gwyn.
âI told you to mind your own business.â
âShe around then?â
Roger looked over the camera at Gwyn. âIâll fill you in,â he said. âIf you open your big mouth once more Iâll fill you in.â
âOK,â said Gwyn.
âRight.â
Gwyn concentrated on scratching his initials in the stone, and Roger bent to read the exposure meter, adjusted the lens.
âNot haunted,â said Gwyn after a while. âMore like â still happening?â
âA tenth at f. 16,â said Roger. âIâll go up and down either side of that: canât afford to change the stop, though. What did you say?â
âGwydion. One of the Three Golden Shoemakers of the Isle of Britain. Thatâs him.â
âWhat are you blathering at?â said Roger.
âHe was the wizard who made the wife out of flowers for Lleu Llaw Gyffes. Itâs coming back to me. We had it read at school a couple of years ago. Gwydion made Blodeuwedd for Lleu, and she fell in love with Gronw Pebyrââ
âThatâs what Alison said.â
âAnd Gronw killed Lleu here on this very spot: then Lleu killed Gronw, and Blodeuwedd was turned into an owlââ
âThe problem is to line the camera up with this hole, so that you can see the trees,â said Roger, âbut you have to be at least seven feet away, or you canât have the stone and the trees both in focus together. I want to use the rock texture as a frame for the trees in the distance. It should make an interesting composition.â
âThink of it, man!â said Gwyn. âA woman made of flowers and then changed into an owl. The plates, man! Itâs all there if we could see it!â He jumped down and ran towards the house.
âWhere are you off to?â shouted Roger.
âHuw the Flitch! âMind how you are looking at her.â He knows! The flamer!â
Roger went back to his camera. The light was fading quickly, and he decided to take the last frames of film on long exposures. He used the delayed setting for these. When he pressed the button the camera whirred for several seconds and then the shutter clicked. Whirr and click. Whirr and click. And the shadows seemed to come out of the river.
âTaking photos, are you?â
Roger yelped with fright. Huw Halfbacon was standing behind him. He was carrying some branches on his shoulder, and Roger had not heard him come along the river bank.
âWhat do you think youâre doing, creeping up on me like that? I could have bust my camera!â
âI was bringing sticks,â said Huw. âFor the fire. Yes.â
âThen why donât you fetch them from the wood?â said Roger. âItâs choked with dead timber.â
âWe donât go there,â said Huw.
âWhy not?â
âPrivate.â
âPrivate? Donât be stupid: that notice is to keep hikers out, not you.â
âIt is private family why we donât go in the wood,â said Huw. âThat is all.â He swung his load to the ground and went down on one knee beside it.
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