a second one, with Paul Rogersâs name on the door. Juneau stood behind her desk, waiting for him. He went into her office and closed the door.
âIâm afraid I have bad news,â he began. âI came here to meet with Paul this morning, for the sale. He was working on his book when I found him.â
â Found him ?â she repeated. âWhy do you say it that way?â
âPaul is dead, madame. He appears to have had a heart attack.â
A small hand fluttered to her mouth, but she never took her eyes from his. She squared her shoulders, composing herself. âPaul is . . . You are sure heâs . . . heâs really dead?â
âThe police doctor is here, thereâs no doubt. Iâm sorry.â
She reached for the back of her chair and slowly sat down. She was quiet for a moment then looked up. âPolice? Someone called the police?â
âI did. Iâm not familiar with the reporting process here after a death, and I wanted to be safe rather than sorry.â
Her shoulders slumped. âYes, of course. Iâm sorry. I canât believe this is happening.â A thought seemed to strike her. âIs he . . . his body . . .â
âThe police are still here, with him.â
A pause. âYou said a heart attack. Why are the police still here?â
He didnât want to tell her the truth, that they were using a manâs death for training purposes. And he didnât want to tell her, either, that something didnât quite feel right to him, something he couldnât begin to put his finger on. Something about the bodyâs position, or the odd way people were reacting. Maybe it was something about the little room itself . . . Hugo just didnât know. He smiled to himself. Or maybe it was just that pretty much every death heâd seen in the last twenty years had been a homicide, and he was just projecting his history onto the sad, but very natural, death of Paul Rogers.
âIâll go check,â Hugo said. âIâll try and make sure they donât disturb the people here for the sale.â
â Merci bien , I appreciate that.â She shook her head sadly. âPoor Paul. And Sarah, oh my goodness, who will tell Sarah?â
âI hadnât thought that far ahead.â
âI do hope itâs not the policeâI know sheâs not,â she paused, clearly searching for the right words, âsheâs not very good with authority.â
âIt may have to be them, but if so Iâll go with them. Iâll be there, I promise.â
Juneau frowned, but then nodded her approval. âThat will be good, thank you.â She started for the door, then turned. âYou said you came to see him about the sale. That is my project. Is there something I can help you with?â
âPaul was holding a book for me, but it doesnât seem important now.â
âPlease, if it was important before, then it is now. Perhaps more so. Paul would want you to have the book, Iâm sure. What was it? I will go look where we put special orders aside.â
âItâs by Truman Capote, a signed copy.â
âThe title? Iâll go look now.â
âThank you. The book is In Cold Blood .â
Hugo picked his way through the crowds on the Champ de Mars as he made his way toward where Paul Rogers lived with Sarah Gregory, less than a mile from the library and on the other side of the busy public green space. Heâd offered to deliver the news, bearing Juneauâs warning in mind, and Camille Lerens had reluctantly agreed. It looked like natural causes, they agreed, so her superiors might wonder why she was making it a police matter by visiting with the surviving kin.
As he walked, Hugo instinctively patted his pockets when the packs of tourists passed him, wary not of them but of the lone vendors tracking them like prey, their
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