The Poisoned Chalice

The Poisoned Chalice by Bernard Knight Page A

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Authors: Bernard Knight
Tags: Historical, Mystery
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the walls, but she knew the place quite well, after her previous visits. At the back sat Alfred, Fitzosbern’s senior craftsman, working behind a cluttered table with hammer and punch, a horn lantern alongside him to give extra light. Christina smiled at him and he grinned back toothlessly. She blushed as she felt his eyes undressing her and quickly moved hers away, to rest on the other workman, leaning on a bench to the left of the door. He was a large young man, whose name she did not know, and was slowly buffing a silver goblet with a long strip of soft leather. He, too, gaped at her, and deliberately altered the stroke of his polishing, somehow giving it a suggestively erotic rhythm. No doubt the two men thought her a vision of beauty and desire to lighten the dull routine of their long day, but she felt distinctly uncomfortable under their blatantly lustful gaze. On previous visits, Fitzosbern had been present and they had had to keep the eyes down on their work – except when his back was turned.
    â€˜Is your master here? He’s expecting me.’
    Alfred, a haggard Saxon in early middle age, tore his eyes from the swell of her bosom peeping through the open cloak. ‘He is indeed, mistress, and will be more than glad to see you, I’ll swear.’ In his thick Devon accent, he managed to imbue the simple words with lascivious meaning.
    The younger man, dressed like Alfred in a long leather apron over his dull woollen tunic, ended his stropping to bang loudly on the wall behind him. ‘Master Godfrey!’ he yelled. ‘The young lady is here for you.’ He leered at her as if he had just announced the arrival of a new courtesan for the Caliph.
    Christina was becoming accustomed to the ill-concealed lechery she attracted, although this made it none the less unwelcome. She turned to examine a shelf with silver jewellery on display, as a way of avoiding the eyes of the workmen and their murmurings.
    A moment later, she heard a heavy tread beyond the curtain that screened the door at the back of the shop and the master silversmith entered. ‘Mistress Rifford, a very good evening to you. I see that you are alone.’
    For a few moments, they indulged in polite conversation, then Fitzosbern led her by the hand to a stool set against an empty table on the right of the room. He was a large man, powerful and fleshy but not yet running to fat. In a few years, he would begin to look coarse and dissipated, but now he was still good-looking with a dark, heavy kind of handsomeness. Big features, clean-shaven and with a mass of wavy hair, there was an animal intensity about him that many women had found irresistible – and some still did, even though he was almost forty and twice married. He dressed well, and as he moved behind the table, unrolled a velvet cloth before Christina, she noted that he wore a surcoat of finest yellow linen that came to mid-thigh, showing the bottom of a knee-length green tunic, the hem and neckline decorated with delicate embroidery. His fine woollen hose ended in shoes of the latest style, with long toes padded out with wool to form curled points.
    Godfrey unwrapped the velvet and carefully lifted out her bracelet. He took two wax candles, an expensive luxury in place of the usual tallow dips, and lit them at the nearest flame so that a better light could dance on the bright silver of her new bauble. ‘A beautiful thing, mistress, fit for a beautiful woman,’ he said, in his low, strong voice, which caused a little shiver to run down her back. Unchaperoned, she felt both vulnerable and a little excited at the almost palpably sexual atmosphere that the three men generated in the dimly lit room.
    She murmured her appreciation of the bracelet, for it
was
a very pretty thing, the bright new silver glittering in the candlelight.
    â€˜Here, let me try it for size.’ Godfrey picked up her hand and held it in his large fingers for an unnecessarily long time

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