you at least as well as that lame minister did. Boy, was that annoying. And I think you and I wouldâve been great pals if weâd crossed paths earlier.â He looked to my mother, who nodded her permission to continue. âI should be an old hand at this, but I didnât have the composure to say anything at my wifeâs grave. She passed away around this time last year. So maybe this is Godâs way of giving me another shot at it. Which reminds meâif you run across Mary up there, maybe you can buy her lunch and tell her itâs from Ray.â He raised an imaginary glass. âSo hereâs to you, Betty: Ninety-four rocks. You had, what? Like, twenty presidents? Four or five wars? I hope you kept a journal or you talked into a tape, âcause Iâd love to hear the high points.â
âShe did,â said my mother.
âWhich?â asked Ray.
âVideotaped. On her ninetieth birthday.â
âGod bless her,â said Ray.
âAmen,â said the funeral director.
âAmen,â we echoed.
âNow what?â asked my mother.
EACH LUNCHEON ATTENDEE was called upon to share her indignation: What an insult. What a besmirching of Bettyâs memory.
Imagine
living for ninety-four years and getting eulogized under another name. And who the hell was
Barbara
?
When the crowd thinned and the cousins drove away, Ray and my mother moved on from ministerial misdeeds to fiber art. I had to remind him that we had a long drive ahead, and that I had to be back at work at six A.M.
âYouâre not staying over?â my mother cried.
âWeâve discussed this,â I said.
âOne day off for the death of a grandparent?â my father said. âWhat kind of hospital is that?â
âA five-hundred-bed teaching hospital,â I said.
âThe show must go on,â said Ray.
âCall her department. Let them page the goddamn head of surgery,â my mother said. âTell him itâs an outrage. I need my daughter here.â
I darted between my father and the kitchen door. âDad,â I said. âPlease donât. Itâs not like a regular job. We donât take sick days. No one asks for a day off unless itâs life or death.â
âWhich this is,â my mother said.
Ray took her hand. âMrs. Thrift? What if we stayed for another coupla hours?â
âAlice makes up her own mind,â she said.
Ray guided her to a dining room wall where they stood in front of
Flotsam and Jet Set
. âOf the ones on the first floor, this is my favorite,â said Ray.
In docent fashion, my mother asked if he could explain why.
âThe seaweed. The lobster claw. It reminds me of home.â
âCan you tell that the wood is charred? I think it must have been kindling for a clambake.â She pointed to a crumpled piece of paper. âThis was a contrivance on my part, but Iâm not apologizing for it.â
Ray moved closer, cocked his head, and read, âNokia Issues a Profit Warning.â
âFrom
The Wall Street Journal,
obviously. Which I found in the trash and not, strictly speaking, on the beach.â
âDo all your canvases tell a story?â he asked.
My mother said they did, but not
her
story. The beholderâs. Each composition was a Rorschach test. If someone saw, for example, capitalism or disorder or impotenceâwhatever one would call itâthat justified her flexing her artistic muscles to add, for example, a piece of newsprint that wasnât necessarily organic to the site.
âIâm all for flexing artistic muscles,â said Ray.
âThe majority of my pieces are pure fiber. This oneâs atypical, and for some reason I felt it belonged here, around food.â
Ray said heâd entered this room solely for the artwork, but as long as he was here, heâd have a few shrimps for the road. What a spread. What generosity. What a wonderful family we
L. C. Morgan
Kristy Kiernan
David Farland
Lynn Viehl
Kimberly Elkins
MR. PINK-WHISTLE INTERFERES
Leigh Bale
Georgia Cates
Alastair Reynolds
Erich Segal