hour, scribbling in his notebook, making observations. Then he gets up and goes back to the chocolate factory to spring his trap.
The biodrones let him in. At some point the Resurrection Men have come and taken the body away. Its outline and the chocolate stain remain on the floor, but obscured by privacy fog now, like the discarded skin of a snake, made of light. Isidore sits on a rickety metal chair in a corner and waits. The sound of the machines is strangely soothing.
‘I know you are here, you know,’ he says after a while.
Élodie steps out from behind one of the machines, unblurred by gevulot. She looks older, showing more of her true self: her eyes are hard.
‘How did you know?’
‘Footprints,’ Isidore says, pointing at the chocolate stains on the floor. ‘Not as careful as last time. Also, you are late.’
‘The co-memory you left with your note was crap,’ she says. ‘It took me a while to figure out you wanted to meet here.’
‘I thought you were interested in detecting. But then, first impressions can be deceiving.’
‘If this is about my father again,’ Élodie says, ‘I’m just going to leave. I’m supposed to meet my boyfriend.’
‘I’m sure you are. But it’s not about your father, it’s about you.’ He wraps his words in gevulot so tight that only the two of them will hear them, or will ever remember them being spoken. ‘What I’m wondering about is if it really was that easy for you.’
‘What?’
‘Not thinking about consequences. Giving your father’s private gevulot keys to a stranger.’
She says nothing, but she is staring at him now, every muscle tense.
‘What did they promise you? Going to the stars? A paradise, all for you, like a Kingdom princess, only better? It doesn’t work that way, you know.’
Élodie takes a step towards him, spreading her hands slowly. Isidore rocks back and forth on his chair.
‘So the keys did not work. And Sebastian – vasilev boyfriend, one of them – was not happy. He does not really care about you, by the way: it is just someone else’s emotion they put in him, a mashup.
‘But it seemed real enough. He got angry. Maybe he threatened to leave you. You wanted to please him. And you knew that your father had a place with gevulot, where one could do things undisturbed. Maybe he came with you to do it.
‘I have to say you were very clever. The chocolate tasted subtly wrong. He is in the dress, isn’t he? His mind. You used the fabber to put it there. They had just finished the original: you melted it and made a copy. The drones delivered it to the shop.
‘All that data, encoded in chocolate crystals, ready to be bought and shipped away to the Sobornost, no questions asked, not like trying to set up a pirate radio to transmit it, a mind all wrapped up in a nice chocolate shell, like an Easter egg.’
Élodie stares at him, blank-faced.
‘What I don’t understand is how you could bring yourself to do it,’ he says.
‘It didn’t matter,’ she hisses. ‘He didn’t make a sound. There was no pain. He wasn’t even dead when I left. No one lost anything. They will bring him back. They bring us all back. And then they make us Quiet.
‘It’s unfair. We didn’t fuck up their fucking Kingdom. We didn’t make the phoboi. It’s not our fault. We should live forever properly, like they do. We should have the right.’
Élodie opens her fingers, slowly. Hair-thin rainbows of nanofilament shoot out from underneath her fingernails, stretching out like a fan of cobras.
‘Ah,’ says Isidore. ‘Upload tendrils. I was wondering where those were.’
Élodie walks towards him in odd, jerky steps. The tips of the tendrils glow. For the first time, it occurs to Isidore that he might indeed be very late for the party.
‘You should not have done this in a private place,’ she says. ‘You should have brought your tzaddik. Seb’s friends will pay for you as well. Maybe even more than for him.’
The upload filaments
Minx Hardbringer, Natasha Tanner
J Robert Kennedy
Sara B. Larson
Wendy Holden
Dean Koontz
Tracy Goodwin
Lexie Ray
Barbie Latza Nadeau
Gregory Benford
Mina Carter