no trouble guessing what it would feel like to lose a fortune. It was easy to grow accustomed to money; quite another matter to lower your standard of living. One didn’t have to be rich to know that.
‘I took the pictures you wanted.’ Bella reappeared, her cheeks ruddy. She glanced round, evidently unimpressed. ‘God, this is tacky. I thought this boat was meant to be classy.’ She examined the portrait of Karítas. ‘Look at that bimbo. I went to school with her, she was a total moron.’
Thóra couldn’t suppress a grin when she saw the indignant expression on Fannar’s face. But experience had taught her that it wouldn’t pay to allow Bella to make any further comments; she had a tendency to be foul-mouthed, especially when least appropriate, and Fannar didn’t seem the type to appreciate it. ‘Where are the guest quarters? Should we maybe look at them next? Bella, could you take some pictures in here, including the belongings left behind by the passengers?’
Thóra and Fannar descended below decks to the cabin area. As he had pointed out, the bedrooms were more lavishly appointed than in any hotel, at least the type of place Thóra frequented. According to him there were four luxury staterooms, as well as five cabins for the crew and chambermaid, and another adjoining the engine room for the engineer. There had been no maid along on this trip, since it wasn’t a conventional cruise, so her cabin hadn’t been used. However, two of the staff cabins did show signs of occupancy, and Fannar told her the engineer’s quarters had also been slept in. Two of the guestrooms had clearly been used, while the other two had not been touched. Fannar confirmed that the married couple had occupied the master suite; not that Thóra had really needed to ask, since the clothes overflowing from the suitcase on the floor could only have belonged to Lára.
Two identical colouring books and a jumble of wax crayons littered the unmade bed. Picking up the books, Thóra flicked rapidly through them. The girls had managed to colour in a fair amount. The first page of each was labelled with their names, Arna in one, Bylgja in the other, and both girls had taken a great deal of trouble over this mark of ownership. From what Thóra could tell, they had each begun with the first picture and progressed in order through the book, and both had finished twelve and embarked on the thirteenth. When the books were compared, it transpired that all the pictures had been coloured in almost exactly the same. The thirteenth stood out as neither girl had had time to complete it. It showed a jolly elephant balancing a large ball on his extended trunk, his childish appearance in shocking contrast to the unknown fate of the little girls who had begun to bring him so vividly to life. They had each coloured in the ball and half the cloth on the elephant’s back.
In one place Bylgja had drawn something in the margin, perhaps while waiting for her sister to catch up. Thóra had trouble working out what the girl had intended to depict; she seemed to have drawn a ring around a long-haired woman with a gaping mouth and sprawling limbs. The lines were black but the woman’s dress was green and she was surrounded by blue. Giving free rein to her imagination, Thóra saw it as a person falling, viewed through a lifebelt. But no doubt she would have interpreted it quite differently if she had come across the book in other circumstances. Closing it, she laid it back on the bed with the other one.
The door of one of the closets stood open, revealing a densely packed row of dresses. Thóra couldn’t resist a closer look, although the clothes could hardly have belonged to Lára. They were all designer pieces that probably cost more per garment than Thóra’s entire wardrobe. She thought about all the hassle involved in owning clothes like that; the endless trips to the dry cleaner and constant fear of damaging the expensive fabrics. Indeed, she noticed some
‘I took the pictures you wanted.’ Bella reappeared, her cheeks ruddy. She glanced round, evidently unimpressed. ‘God, this is tacky. I thought this boat was meant to be classy.’ She examined the portrait of Karítas. ‘Look at that bimbo. I went to school with her, she was a total moron.’
Thóra couldn’t suppress a grin when she saw the indignant expression on Fannar’s face. But experience had taught her that it wouldn’t pay to allow Bella to make any further comments; she had a tendency to be foul-mouthed, especially when least appropriate, and Fannar didn’t seem the type to appreciate it. ‘Where are the guest quarters? Should we maybe look at them next? Bella, could you take some pictures in here, including the belongings left behind by the passengers?’
Thóra and Fannar descended below decks to the cabin area. As he had pointed out, the bedrooms were more lavishly appointed than in any hotel, at least the type of place Thóra frequented. According to him there were four luxury staterooms, as well as five cabins for the crew and chambermaid, and another adjoining the engine room for the engineer. There had been no maid along on this trip, since it wasn’t a conventional cruise, so her cabin hadn’t been used. However, two of the staff cabins did show signs of occupancy, and Fannar told her the engineer’s quarters had also been slept in. Two of the guestrooms had clearly been used, while the other two had not been touched. Fannar confirmed that the married couple had occupied the master suite; not that Thóra had really needed to ask, since the clothes overflowing from the suitcase on the floor could only have belonged to Lára.
Two identical colouring books and a jumble of wax crayons littered the unmade bed. Picking up the books, Thóra flicked rapidly through them. The girls had managed to colour in a fair amount. The first page of each was labelled with their names, Arna in one, Bylgja in the other, and both girls had taken a great deal of trouble over this mark of ownership. From what Thóra could tell, they had each begun with the first picture and progressed in order through the book, and both had finished twelve and embarked on the thirteenth. When the books were compared, it transpired that all the pictures had been coloured in almost exactly the same. The thirteenth stood out as neither girl had had time to complete it. It showed a jolly elephant balancing a large ball on his extended trunk, his childish appearance in shocking contrast to the unknown fate of the little girls who had begun to bring him so vividly to life. They had each coloured in the ball and half the cloth on the elephant’s back.
In one place Bylgja had drawn something in the margin, perhaps while waiting for her sister to catch up. Thóra had trouble working out what the girl had intended to depict; she seemed to have drawn a ring around a long-haired woman with a gaping mouth and sprawling limbs. The lines were black but the woman’s dress was green and she was surrounded by blue. Giving free rein to her imagination, Thóra saw it as a person falling, viewed through a lifebelt. But no doubt she would have interpreted it quite differently if she had come across the book in other circumstances. Closing it, she laid it back on the bed with the other one.
The door of one of the closets stood open, revealing a densely packed row of dresses. Thóra couldn’t resist a closer look, although the clothes could hardly have belonged to Lára. They were all designer pieces that probably cost more per garment than Thóra’s entire wardrobe. She thought about all the hassle involved in owning clothes like that; the endless trips to the dry cleaner and constant fear of damaging the expensive fabrics. Indeed, she noticed some
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