The Singer's Gun
shaky, staticky quality to the rings.
    “I’m sorry,” she said when Broden answered. “I know your investigation is important, but I don’t think I can do this.”
    “Why’s that?” Broden’s voice was mild.
    “I know it’s a serious thing to lie about your credentials on your résumé, I know it’s fraud and I don’t agree with it, it’s not that I approve, it’s just that he was my boss for two and a half years and I almost consider him a friend, I can’t just spy on him and try to get him to say something and report back to you, I just—”
    “Tell you what,” Broden said, “why don’t you come in tomorrow and we’ll talk about it. I think it might help if I explained the situation more fully.”
    When Elena had hung up the phone she stared at the document she was supposed to be proofreading, but her eyes kept skipping over the same paragraph over and over again. She closed her eyes, rested her elbows on her desk, and pressed her fingertips to her forehead. She wanted it to appear to any casual observer that she merely had a headache or was perhaps resting her eyes for a moment. The problem was more serious: she had forgotten how to read.
    This happened almost daily and she was used to it—she understood it to be a side effect of being unable to stand her job—but lately it had been happening earlier and earlier in the day. The mornings went quickly but the afternoons were deadly. Time slowed and expanded. She wanted to run. By four P.M . she sometimes had to correct the same paper three times. She reread words over and over again, she broke them down into individual syllables, she stared, but if you stare at any word for long enough it loses all meaning and goes abstract. She had had this job for two or three weeks now, ever since she’d been exiled without explanation from Anton Waker’s research department, and it was becoming gradually less tenable each day.
    “Elena?” Nora had a strong clear voice, like a singer’s. “Could you come here for a moment?”
    When Elena went to her she had a document Elena had labored over that morning, lying on her desk like a piece of evidence. Nora weighed well over three hundred pounds and had beautiful long dark hair, but what was more notable about her was that she loved mistakes. Here in this dead-end department in the still brackish backwaters of the company, her power and her happiness lay in the discovery of errors. “Elena,” very patiently, as if addressing a child, “I’m not sure why you didn’t correct the spelling of this word. Were you under the impression that there’s a hyphen in ‘today’?”
    “Oh. The writer’s British, he does that sometimes. Give it back to me, I’ll mark it.”
    “Oh, I mark all the errors that I find.” The pleasure in Nora’s voice was unmistakable. Her eyes were alight; she was in her element. “I’ve told you that many times.”
    “Okay, well, thanks for pointing it out. I’m going back to work.”
    But Nora disliked having the game cut short. “If you’d ever like to borrow my dictionary, Elena,” she said sweetly, “you’re welcome to look up any thing you need.”
    “I don’t need your dictionary. Thanks.”
    “Well, but the thing is, Elena, you thought there was a hyphen in ‘today.’” All wide-eyed innocence now, the malice vanished like a passing cloud.
    “No, I didn’t.”
    “So what you’re telling me is that you saw it,” her voice incredulous now, “but decided not to correct it, even though you knew it was wrong ?”
    “Look, obviously I just missed it,” Elena said. “Are we done?”
    “Elena,” spoken very seriously and reproachfully, like a CEO on the verge of firing a disobedient minion, although as far as Elena was aware Nora’s supervisory role was so nominal that she didn’t have the ability to fire anyone, “I know you haven’t been in your position for very long, but one thing that might not have been made clear to you is that it is our

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