him. Marion was directing a two-reel moving picture about imaginary bank robbers while he was chasing real ones. But a movie drama, he had already learned from observing her at work, took as much planning and detail work as the real thing. And for that, a girl needed her sleep.
He scanned the newsstands and the papers that boys were hawking when he got off the train. Headlines dueled for attention. Half proclaimed a fantastic variety of Japanese threats to the Great White Fleet if—as was rumored—President Roosevelt ordered it close to the Japanese Islands. Half blamed the murder of a New York school-teacher on Chinese white slavers. But it was the weather banners Bell was searching, hoping for a bad forecast.
“Excellent!” he exclaimed aloud. The Weather Bureau predicted clouds and rain.
Marion would not have to rise at dawn to catch every available ray of sunlight.
He hurried from the terminal. The sixteen-mile trolley ride to Fort Lee would take at least an hour, but there might be a better way. The Jersey City Police were experimenting with a motor patrol like New York’s across the river and, as he expected, one of their six-cylinder Ford autos was sitting in front of the terminal manned by a sergeant and patrolman formerly of the Mounted Division.
“Van Dorn,” Bell addressed the sergeant, who looked a little lost without his horse. “It’s worth twenty dollars to get me to Cella’s Park Hotel in Fort Lee.”
Ten would have done it. For twenty, the sergeant cranked the siren.
THE RAIN STARTED as the racing police Ford crested the Palisades. Flinging mud, it tore down Fort Lee’s Main Street, skidded along the trolley tracks, and whisked past a movie studio whose glass walls glittered in its feeble headlamps. Outside the village, they pulled up to Cella’s, a large white two-story frame building set in a picnic grounds.
Bell bounded across the front porch with a big grin on his face. The dining room, which turned into a bar at night, was still open and doing a roaring business as the actors, directors, and cameramen conceded that without sunlight to film by, tomorrow was a lost day. A gang of pitch-perfect singers was grouped around the piano harmonizing,
“You can go as far as you like with me
In my merry Oldsmobile.”
He spotted Marion at a corner table, and his heart nearly stopped. She was laughing, deep in conversation with two other women directors whom Bell had met before: Christina Bialobrzesky, who claimed to be a Polish countess but whose accent sounded to Bell’s ear like New Orleans, and the dark-haired, dark-eyed Mademoiselle Duvall of Pathé Frères.
Marion looked up. She saw him standing in the doorway and jumped to her feet with a radiant smile. Bell rushed across the room. She met him halfway, and he picked her up in his arms and kissed her.
“What a wonderful surprise!” she exclaimed. She was still in her working clothes—shirtwaist, long skirt, and a snug jacket. Her blond hair was heaped up in back, out of her way, exposing her long, graceful neck.
“You look lovely.”
“Liar! I look like I’ve been up since five in the morning.”
“You know I never lie. You look terrific.”
“Well, so do you. And then some . . . Have you eaten?”
“Dinner on the train.”
“Come. Join us. Or would you rather we sit alone?”
“I’ll say hello first.”
The hotel proprietor approached, beaming with fond memories of Bell’s last visit and rubbing his hands. “Champagne, again, Mr. Bell?”
“Of course.”
“For the table?”
“For the room!”
“Isaac!” said Marion. “There are fifty people in here.”
“Nothing in my grandfather Isaiah’s will says I can’t spend a portion of his five million dollars on a toast to the beauty of Miss Marion Morgan. Besides, they say that Grandfather had an eye for the ladies.”
“So five million was not all you inherited.”
“And when they get drunk, they won’t notice us slipping upstairs to your
Craig A. McDonough
Julia Bell
Jamie K. Schmidt
Lynn Ray Lewis
Lisa Hughey
Henry James
Sandra Jane Goddard
Tove Jansson
Vella Day
Donna Foote