The Strain, the Fall, the Night Eternal by Guillermo del Toro Page B
Authors: Guillermo del Toro
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Twenty-five dollars can mean the difference between shelter or homelessness. Twenty-five dollars can put life-prolonging medicine within reach. So long as a man or woman has collateral, something of value to borrow against, he or she can walk out of his door with cash in hand. Beautiful.
He trudged on upstairs, turning out more lights as he went. He was fortunate to own his building, bought in the early 1970s for seven dollars and change. Okay, maybe not for so little, but not for so much either. They were burning down buildings for heat back then. Knickerbocker Loans and Curios (the name came with the shop) was never a means to wealth for Setrakian, but rather a conduit, a point of entry into the pre-Internet underground marketplace of the crossroads city of the world, for a man interested in Old World tools, artifacts, curios, and other arcana.
Thirty-five years of haggling over cheap jewelry by day, while amassing tools and armaments by night. Thirty-five years of biding his time, of preparation and waiting. Now his time was running out.
At the door, he touched the mezuzah and kissed his crooked, wrinkled fingertips before entering. The ancient mirror in the hallway was so scratched and faded that he had to crane his neck in order to find a reflective patch in which to view himself. His alabaster white hair, starting high up on his creased forehead and sweeping back below his ears and neck, was long overdue for a trim. His face continued to fall, his chin and earlobes and eyes succumbing to that bully named gravity. His hands, so broken and badly mended so many decades before, had curved into arthritic talons that he kept permanently hidden behind wool gloves with cut-off fingertips. Yet, beneath and within this crumbling facade of a man: strength. Fire. Grit.
The secret of his interior wellspring of youth? One simple element.
Revenge.
Many years before, in Warsaw and later in Budapest, there was a man named Abraham Setrakian who had been an esteemed professor of Eastern European literature and folklore. A Holocaust survivor who survived the scandal of marrying a student, and whose field of study took him to some of the darkest corners of the world.
Now, an aged pawnbroker in America, still haunted by unfinished business.
He had good soup left over, delicious chicken soup with kreplach and egg noodles, that a regular had brought him all the way from Liebman’s, in the Bronx. He put the bowl in the microwave and worked at his loose necktie knot with his gnarled fingers. After the beeping, he carried the hot bowl over to the table, pulling a linen napkin—never paper!—from the holder and tucking it snugly into his collar.
Blowing on soup. A ritual of comfort, of reassurance. He remembered his grandmother, his bubbeh —but this was more than mere memory; it was sense , a feeling —blowing on it for him when he was a boy, sitting next to him at the rickety wooden table in the cold kitchen of their house in Romania. Before the troubles. Her old breath stirring the rising steam into his young face, the quiet magic of that simple act. Like blowing life into the child. And now, as he blew, an old man himself, he watched his breath given shape by the steam, and wondered just how many of these respirations he had left.
He took the spoon, one of a drawer full of fancy, mismatched implements, into the crooked fingers of his left hand. Blowing onto the spoon now, rippling the tiny pool of broth there, before taking it into his mouth. Taste came and went, the buds on his tongue dying like old soldiers: the victims of many decades of pipe smoking, a professor’s vice.
He found the thin remote for the outdated Sony TV—a kitchen model finished in white—and the thirteen-inch screen warmed up, further illuminating the room. He rose and walked to the pantry, leaning his hands on the stacks of books squeezing the hallway into a narrow tread of worn rug—books were everywhere, piled high against the walls, many of them
He trudged on upstairs, turning out more lights as he went. He was fortunate to own his building, bought in the early 1970s for seven dollars and change. Okay, maybe not for so little, but not for so much either. They were burning down buildings for heat back then. Knickerbocker Loans and Curios (the name came with the shop) was never a means to wealth for Setrakian, but rather a conduit, a point of entry into the pre-Internet underground marketplace of the crossroads city of the world, for a man interested in Old World tools, artifacts, curios, and other arcana.
Thirty-five years of haggling over cheap jewelry by day, while amassing tools and armaments by night. Thirty-five years of biding his time, of preparation and waiting. Now his time was running out.
At the door, he touched the mezuzah and kissed his crooked, wrinkled fingertips before entering. The ancient mirror in the hallway was so scratched and faded that he had to crane his neck in order to find a reflective patch in which to view himself. His alabaster white hair, starting high up on his creased forehead and sweeping back below his ears and neck, was long overdue for a trim. His face continued to fall, his chin and earlobes and eyes succumbing to that bully named gravity. His hands, so broken and badly mended so many decades before, had curved into arthritic talons that he kept permanently hidden behind wool gloves with cut-off fingertips. Yet, beneath and within this crumbling facade of a man: strength. Fire. Grit.
The secret of his interior wellspring of youth? One simple element.
Revenge.
Many years before, in Warsaw and later in Budapest, there was a man named Abraham Setrakian who had been an esteemed professor of Eastern European literature and folklore. A Holocaust survivor who survived the scandal of marrying a student, and whose field of study took him to some of the darkest corners of the world.
Now, an aged pawnbroker in America, still haunted by unfinished business.
He had good soup left over, delicious chicken soup with kreplach and egg noodles, that a regular had brought him all the way from Liebman’s, in the Bronx. He put the bowl in the microwave and worked at his loose necktie knot with his gnarled fingers. After the beeping, he carried the hot bowl over to the table, pulling a linen napkin—never paper!—from the holder and tucking it snugly into his collar.
Blowing on soup. A ritual of comfort, of reassurance. He remembered his grandmother, his bubbeh —but this was more than mere memory; it was sense , a feeling —blowing on it for him when he was a boy, sitting next to him at the rickety wooden table in the cold kitchen of their house in Romania. Before the troubles. Her old breath stirring the rising steam into his young face, the quiet magic of that simple act. Like blowing life into the child. And now, as he blew, an old man himself, he watched his breath given shape by the steam, and wondered just how many of these respirations he had left.
He took the spoon, one of a drawer full of fancy, mismatched implements, into the crooked fingers of his left hand. Blowing onto the spoon now, rippling the tiny pool of broth there, before taking it into his mouth. Taste came and went, the buds on his tongue dying like old soldiers: the victims of many decades of pipe smoking, a professor’s vice.
He found the thin remote for the outdated Sony TV—a kitchen model finished in white—and the thirteen-inch screen warmed up, further illuminating the room. He rose and walked to the pantry, leaning his hands on the stacks of books squeezing the hallway into a narrow tread of worn rug—books were everywhere, piled high against the walls, many of them
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