The Turnaround by George Pelecanos Page B

ham-and-Swiss. They smoked it, got up immediately, and went to join the crowds moving toward the venue. When the gates opened, the expected chaotic surge ensued, caused by the festival seating policy, which had thousands trying to enter the stadium at once. Coolers holding bottles of beer and liquor were being smashed by security guards, and at one point Alex was pinned against a chain-link fence, only to be rescued by Billy, who yelled, “Jerry Kramer!” with joy as he body-blocked a big man to the ground and set Alex free. Alex, Billy, and Pete found seats behind the dugout, where Alex had sat with his father at baseball games before the Nats left town, and commenced smoking one of the many joints they had rolled that morning with Top papers. Martha Reeves and the Vandellas came on first, played “Dancing in the Street,” and when they sang the phrase “Baltimore and D.C.,” the audience lit up. The girl in the halter top danced before them, her hips alive, and the boys imagined her in the act, all of them transfixed. Stevie Wonder appeared next, oddly opening with “Rockin’ Robin,” a hit for Michael Jackson earlier that year, and then got the throngs going when he moved into his own material. During “Signed, Sealed, Delivered (I’m Yours),” a handler came out and turned Stevie around, as he was inadvertently singing to the empty, obstructed-view portion of the stands. After a dead period during which people got more inebriated, more unruly, and more high, the Stones walked onto the stage, and Mick Jagger, cocaine skinny in a white jumpsuit and red silk scarf, shouted, “Hello, campers!” launching the band into “Brown Sugar.” Forty thousand were up on their feet, fueled by alcohol, speed, acid, pot, and youth. A police officer twirled his nightstick in unison with the rhythm section. The band played cuts from Exile on Main Street, which had recently been released. Mick Taylor’s guitar solo on “You Can’t Always Get What You Want” was epic. Jagger pranced, pirouetted, and whipped the stage with a leather belt during “Midnight Rambler.” Jagger toasted the crowd with a bottle of Jack, saying, “I drink to your independence.” Tear gas drifted in from police action outside the stadium. The boys’ eyes burned, but they didn’t care. Girls who tried to climb onstage were thrown off or hauled away by security and had their hands cut by nails driven up through the stage’s edge. Near the end of the concert, during a violent “Jumpin’ Jack Flash,” the houselights were turned on, and the smoke in the air was industrial as it moved up into the night sky. Alex could not remember being happier. He had never experienced anything like this and doubted that anything in his life would ever top it.
    “The Hole must wear a halter top down there, too,” said Billy. “ ’Cause she likes to allow that easy access.”
    “For real,” said Pete.
    Billy and Pete were still talking about Jenny Maloney. Alex wondered how long they had been discussing her. He wondered if he had blacked out.
    “I know you had your fingers in it,” said Billy, setting Pete up.
    “I had my arm in it, man,” said Pete. “In the stairwell up at the HoJo hotel? Her parents were giving her a sweet sixteen party and shit. While they were passing out party favors, me and Jenny were up there on the landing, making out, and she put one foot up on this step and took my hand and kinda guided it up there. I didn’t need no petroleum jelly, either, no lie. . . .”
    As Pete went on, Alex Pappas tuned him out. Billy and Pete always sat together up front, and at some point when they were partying, they forgot he was in the car. He didn’t mind. The things they said when they were high, he had heard them all before. Pete, elbow deep in Jenny Maloney’s pussy at her sweet sixteen party, in the stairwell of the HoJo hotel up in Wheaton while her parents passed out birthday hats in the rented room . . . no shit, he knew it by