trip. The big trip. He had made it -- the thought brought a flicker of
satisfaction -- eight years of continuous work had had their brief
reward. He had breasted the implacable river of time and --
Kate!
The incredible realization fountained through him, bringing the first
involuntary movement of his limbs. He brought his hands up under
his shoulders and pressed hard against the ground. The process of
getting to his feet was an extended one, involving getting his arms to
raise his body, resting on his heels, then grimly forcing his legs to
accept weight. He unslung the rifle, put it under his coat and began
to walk. There was nobody near the three elm trees, but this was not
surprising. The man he had shot would have been found and taken away
eight years earlier, and as for Kate -- she must be at the house.
A woman's place is in the home, he thought inanely as he began to run,
swaying grotesquely as his knees orbited at every step. His wild elation
lasted until he was close to the park's entrance, and could see the
milk-white globes on their twin pillars. Until a thought ended it.
But, a voice suddenly whispered, if Kate's at home -- why are you out
in the park with a rifle?
If she's alive -- how can you remember her funeral?
Later, while sanity still lingered, he drove past house. The new owners
had not yet moved in, and the FOR SALE sign was still standing in the
garden, reflecting stray beams from the street lights. Breton experienced
a yearning impulse to go into the house and make sure, but instead he
pressed down hard on the gas pedal. The old Buick faltered for a moment,
then surged away down the quiet avenue. There were lights in all the
other houses.
Breton drove to a bar on the city's north side, right on the edge of
the prairie, where tumbleweeds sometimes came nuzzling at the door like
hungry dogs. Seated at the long bar, he ordered a whiskey -- his first
since the nightmare binge of eight years earlier -- and stared into its
amber infinities. Why had he not deduced what was bound to happen? Why
had his mind gone so far along its lonely road, only to stop short of
the final, obvious step?
He had gone back in time, he had shot a man -- but nothing was
going to alter the reality of Kate's death. Breton dipped a finger in
the whiskey and drew a straight line on the smooth plastic of the bar
top. He stared at it for a moment, then added another line forking out
from the first. If the first line represented the stream of time as
he knew it, and in which nothing had changed, then the few seconds he
had wrested from the past had taken place on the divergent line. When
his brief moment of death-dealing was over, he had snapped back to the
present in his own time-stream. Instead of bringing Kate back to life
in his own line he had prevented her death in the divergent track.
Breton took another sip from his glass, trying to assimilate the idea that somewhere Kate was alive. He looked at his watch. Almost midnight. Kate
might be in bed, or having a last cup of coffee with her husband -- the
other Jack Breton. For Breton's trip into the past had, when it set up
a new time-stream, created another universe in its entirety, complete
with a duplicate of himself. That other universe would have its own
cities, lands and oceans, planets and stars, receding galaxies -- but
none of these things were important beside the fact that he had bought
Kate another life, only to have her share it with another man. And it
was wrong to say that the other man was himself, because an individual
is the sum of his experiences, and that other Breton had not looked on
Kate's dead face, endured the guilt, or surrendered eight years of his
life to the monomania which had recreated Kate Breton.
The forked line he had drawn on the bar was fading away into the air.
Breton stared at it somberly. He had a feeling he had used up something
inside himself, that he would never again be able to summon up
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