Asian descent, they were almost like twins. Dark tailored suits, white shirts, and expensive Italian shoes. Even their hair was cut the same, close cropped with hardly enough left on top to run a comb through. The man closest to Peter was named Robert Chercover. Older than his associate by at least three decades, he was the one ultimately in charge. His title was purposely vague: Special Assistant to the Director of National Intelligence. But Peter knew very well what it meant. Chercover was in charge of handling problems no one else could be trusted with.
The man with him had been introduced as Kevin Furuta. Peter had never dealt with the man before, but he immediately knew he didn't like him. At most, he was in his mid-thirties, yet he carried himself like he was Peter's superior. The son of a bitch probably didn't even have a quarter of the experience Peter had amassed. But Peter had to admit Furuta was in better shape, something the asshole didn't seem to have a problem emphasizing. Any time he would talk, he would turn with his whole body toward Peter with his chest puffed out, and his arms held out to the side like his muscles were too big for his limbs to lie flat against his body. He appeared to enjoy the fact that at about six feet tall, he towered a good half foot over Peter. Peter took comfort in the knowledge that despite Furuta's larger size, he would have no problem taking the bigger man in a fight. No problem at all.
In essence, the hotel room had been set up as a mobile strategic operations center. The furniture had been pushed to the side, making way for several long, portable tables. These had been arranged in a loose U shape. The ten monitors were set up on two sides of the U. On the third side were several pieces of equipment: receivers and computer-controlled hard drives both feeding and recording the images being shown.
All the screens were active. Those along the left displayed images from inside the hotel itself: the front and rear entrances, the main lobby, and the hallway on the fifth floor outside room 531. The images on the four monitors along the bottom of the U were murkier, and from a location nowhere near the Geist Hotel. These monitors had been numbered one through four right-to-left, the numbers superimposed in the lower right corner like a television network ID.
Monitor one was an outside shot. It was focused on a neglected apartment building two hundred miles away in New York City. A light rain was falling over the neighborhood, clearing the streets of anyone interested in an evening stroll. Lights were on in a few of the windows in the neighboring buildings, but none shone from the one centered in the shot.
According to the information Peter had received, this particular building was abandoned, a fact reinforced by windows that were either boarded over or broken. A set of concrete steps led up to the front door, where a faded paper notice had been stuck on the surface. It was too far away to read, but he had already been informed that it was an advertisement for a local concert that had long since occurred.
Monitors two through four were shots from inside the abandoned building. Number two showed the small empty lobby and the inside angle of the main entrance. Number three was focused on an equally empty hallway that fell off into darkness after only a dozen feet.
The image on monitor four, though, was different from the rest. While the cameras feeding the other monitors had been stationary, each securely mounted so as to give a fixed, steady image, camera four was anything but motionless. The image was in constant movement, up and down, side to side, and never staying in one position for more than half a second. This camera was mounted in an apparatus worn by their agent on site. It rode just above the agent's right ear. As if to emphasize that fact, the sound of low, steady breathing came out of the monitor's speaker.
Peter seemed to be the only one interested in the first three monitors.
The man with him had been introduced as Kevin Furuta. Peter had never dealt with the man before, but he immediately knew he didn't like him. At most, he was in his mid-thirties, yet he carried himself like he was Peter's superior. The son of a bitch probably didn't even have a quarter of the experience Peter had amassed. But Peter had to admit Furuta was in better shape, something the asshole didn't seem to have a problem emphasizing. Any time he would talk, he would turn with his whole body toward Peter with his chest puffed out, and his arms held out to the side like his muscles were too big for his limbs to lie flat against his body. He appeared to enjoy the fact that at about six feet tall, he towered a good half foot over Peter. Peter took comfort in the knowledge that despite Furuta's larger size, he would have no problem taking the bigger man in a fight. No problem at all.
In essence, the hotel room had been set up as a mobile strategic operations center. The furniture had been pushed to the side, making way for several long, portable tables. These had been arranged in a loose U shape. The ten monitors were set up on two sides of the U. On the third side were several pieces of equipment: receivers and computer-controlled hard drives both feeding and recording the images being shown.
All the screens were active. Those along the left displayed images from inside the hotel itself: the front and rear entrances, the main lobby, and the hallway on the fifth floor outside room 531. The images on the four monitors along the bottom of the U were murkier, and from a location nowhere near the Geist Hotel. These monitors had been numbered one through four right-to-left, the numbers superimposed in the lower right corner like a television network ID.
Monitor one was an outside shot. It was focused on a neglected apartment building two hundred miles away in New York City. A light rain was falling over the neighborhood, clearing the streets of anyone interested in an evening stroll. Lights were on in a few of the windows in the neighboring buildings, but none shone from the one centered in the shot.
According to the information Peter had received, this particular building was abandoned, a fact reinforced by windows that were either boarded over or broken. A set of concrete steps led up to the front door, where a faded paper notice had been stuck on the surface. It was too far away to read, but he had already been informed that it was an advertisement for a local concert that had long since occurred.
Monitors two through four were shots from inside the abandoned building. Number two showed the small empty lobby and the inside angle of the main entrance. Number three was focused on an equally empty hallway that fell off into darkness after only a dozen feet.
The image on monitor four, though, was different from the rest. While the cameras feeding the other monitors had been stationary, each securely mounted so as to give a fixed, steady image, camera four was anything but motionless. The image was in constant movement, up and down, side to side, and never staying in one position for more than half a second. This camera was mounted in an apparatus worn by their agent on site. It rode just above the agent's right ear. As if to emphasize that fact, the sound of low, steady breathing came out of the monitor's speaker.
Peter seemed to be the only one interested in the first three monitors.
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