of the journal.â
âAda would prefer that no one else saw it.â
âAda Vail has no power over me,â Jennie said.
The cat came into the room, jumped onto the sofa, and curled up in her lap. Its color was a perfect complement to Jennieâs dress and to the sofa, giving Claire the sensation that Butterscotch was also a part of her costume.
Jennie stroked the cat and said, âTell me, what did you think of the writing in the journal?â
âI didnât think it was as polished or elegant as A Blue-Eyed Boy, but, then, it wasnât written for publication. Who knows what Jonathan would have done with it ifâ¦â
âIf,â repeated Jennie, resting her hand on the catâs back. âAnd what does Ada think?â
âShe was more concerned with content than style.â
âSheâll want to take out the things she objects to. Money is a loaded gun. Rich people aim their weapon at you and make you dance.â Jennie leaned forward suddenly, and the startled cat tumbled out of her lap, hissing and extending its claws as it reached for the floor. âDonât let Ada Vail edit the journal. Sheâll cut the heart out of it.â
âIf she holds the rights, we may not have any choice.â
âWhat does Otto think?â
âThereâs no way of knowing. He doesnât speak since he had the stroke.â
âBut the eyes react, donât they?â
âYouâve seen him?â
âYes, but I havenât been back for a few years. He never was as rigid as Ada. He might like having Jonathanâs journal published as is, but I suppose thereâs no way for him to tell us that. Curt told me that Tim Sansevera found a duffel bag?â Her husky voice dropped to a whisper, as if she wanted Claire to lean forward to hear better.
Claire, suspecting she was being manipulated, leaned back. âYes,â she said.
âI donât remember there being any duffel bag,â Jennie said. âOr a briefcaseâCurt said the journal was found in a briefcase. I donât remember that either. We carried everything in backpacks. I could carry a full pack back then, but not anymore. Well, I hope your trip to Slickrock Canyon is productive. As for me, Iâll be happy if I never see that place again.â
The meeting was over. Jennie stood up and walked Claire to the door.
******
Continuing north on Route 14, Claire listened to sixties music, thinking it might help her understand Jennie Dell better. She had two tapes that her brother had put together from records heâd found in thrift shops. One tape reflected his taste for the apocalypticâThe Doors, The Rolling Stones, the Beatlesâ White Album. The other was the gentler music that Claire preferredâearly Beatles, Cat Stevens, Van Morrison. She played the second tape, and when she heard Fleetwood Mac, she thought about the resemblance Jennie had to the mature Stevie Nicks: the husky voice, the thick blond hair, the skill at manipulating her dressâor was âcostumeâ a better word? She suspected there had also been a resemblance to the young Stevie Nicks, who was known for her wildness and had once made the statement that fast cars, drugs, and money can ruin your life. She put millions of dollars of cocaine up her nose, but still had one of the best voices in rock. Whatever Jennie had done in the sixties, she seemed to have found a comfortable life now. Unlike Jonathan, Jennie had survived. When she reached I-25, Claire headed south, turning northwest on Route 44. By the time she got to the red rocks south of Cuba, the tape had played out, and Claire didnât restart it. The beauty here demanded her full attention. It was too overpowering to think or listen to music, so she continued driving in silence. Clouds were gathering when she reached Bloomfield and fires from the oil refineries blazed and flickered like pilot lights against the darkening sky.
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