pilots fell in, too. The Snowy Owl and the Neurosinger, the Deus ex Machina and the Rose of Armageddon – two hundred and fifty-four ships and pilots sought their fates and vanished into the deepest part of the Vild.
For Danlo, as for any pilot, mathematics was the key that opened the many windows through which his lightship passed. Mathematics was like a bright, magic sword that sliced open the veils of the manifold and illuminated the dark caverns of neverness waiting for him there. The Snowy Owl fell far and deep, and in the pit of his ship Danlo floated and proved the theorems that let him see his way through the chaos all around him. He floated because there was no gravity; in the manifold, there is neither space nor force nor time, and so, in the very centre of his ship, he floated and dreamed mathematics in vivid, waking dreams, and fell on and on. Immersed as he was in the realm of pure number, in that marvellous interior space that the pilots know as the dreamtime, he had little sense of himself. He could scarcely feel his weightless arms and legs, or his empty hands, or even the familiar ivory skin that enveloped his long, lean body. He needed neither heat nor clothing, and so he floated naked as a newborn child. In many ways, at times, the pit of a lightship is like a womb. In truth, the pit's interior is a living computer, the very mind and soul of a lightship; it is a sphere of neurologics woven of protein circuitry, rich and soft as purple velvet. Sometimes it is all darkness and comfort and steamy air as dense-seeming as sea water. When a pilot faces away from his ship – for instance, during those rare moments when he is safe inside a null space and he breaks interface with the logic field enveloping him – there is no sight and very little engagement of the other physical senses. But at other times, the pit is something other. When a pilot faces the manifold and his mind becomes as one with the ship's computer, then there is the cold, clear light of pure mathematics. Then the pit is like a brilliantly-lit crystal cave lined with sapphires and firestones and other precious jewels. The pilot's mind fills with the crystal-like symbols of probabilistic topology: the emerald snowflake representing the Jordan-Holder Theorem; the diamond glyphs of the mapping lemmas; the amethyst curlicues of the statement of Invariance of Dimension; and all the other thousands of sparkling mental symbols that the pilots call ideoplasts. Only then will a pilot perceive the torison spaces and Flow-tow bubbles and infinite trees that undermine the manifold, much as a sleekit's twisting tunnels lie hidden beneath crusts of snow. Only when a pilot opens his mind to the manifold will the manifold open before him so that he may see this strange reality just as it is and make his mappings from star to star.
So it was that Danlo became aware of his fellow pilots as they set out on their journeys. As did the Snowy Owl, their ships perturbed the manifold like so many stones dropped into a pool of water. Danlo perceived these perturbations as ripples of light, a purely mathematical light which he had been trained to descry and fathom. For a while, as the lightships remained within a well-defined region known as a Lavi neighbourhood, with his mind's eye he followed the luminous pathways of the lightships as they fell outward toward the galaxy's many stars. And then, one by one, as the pilots fell away from each other and the radius of convergence shot off toward infinity, even these ships were lost to his sight. Only nine other ships remained within the same neighbourhood as the Snowy Owl. These nine ships and their pilots he knew very well, for they each had vowed to penetrate the same spaces of the Vild. A few of them were already distinguished for their part in the Pilots' War: Sarolta Sen and Dolore Nun, and the impossibly brave Leander of Darkmoon who craved danger as other men do women or wine. Then was Rurik Boaz in the Lamb of God,
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