twenty-one. My only work experience is as a preschool assistant, but how can bartending be any harder than running around after small children?â
Bartending is much harder than looking after small children.
I discover that pretty fast.
But Joe helps me out. He shows me where the most frequently ordered drinks are, shows me how to work the registerâthough I screw that up more often than notâand where to stash my tips.
After an hour, I decide working in a bar is awesome. Itâs like a night out, without the stressful stuff. I get all the funâMadeleineâs band, Pia and Angie riffing each other, Julia high-fiving anything with a pulseâbut I donât have to worry about saying or doing the wrong thing. In fact, Iâm having more fun than I have on a night out, maybe ever.
When Spector finishes its first set and takes a break, Pia, Angie, and Julia are still on their barstools, acting like they own the place, holding court with some too-cool bearded Brooklynites.
âWhat is with the beards, you guys?â Angie is saying. âAre you aware that you all look like extras in a movie about the Gold Rush? I canât tell you apart with those things.â
âWhat about the man bun? Do you secretly want to be a ballerina?â asks Pia. âAnd whatâs with all the plaid and the trapper hat? What do you call that, lumbersexual?â
âMaybe they symbolize that you donât work for âthe manâ,â says Angie, putting bunny ears around âthe man.â âWow, youâre all such independent thinkers. Except that youâre identical.â
âHarsh,â mutters the guy with a beard and a man bun.
âWay harsh,â agrees his buddy in the plaid and the trapper hat.
âI work for the man,â says Julia, holding her drink up. âAnd I donât give a ratâs assâoops! Dropped my purse! Oh, thank youââ Julia meets eyes with a tall, cute, very clean-shaven guy in a suit who just picked up her purse. âAnother corporate whore!â Jules holds her hand up. âNice suit! What the hell are you doing in Brooklyn? Fivies!â
âDouble fivies!â he replies, holding both hands up for a double high five.
âHey!â Angie turns to Man Bun. âBeing in touch with your feminine side doesnât mean touching my ass. Get lost.â
Joe glances up from his frantic lime chopping. âEverything okay? That guy bothering you?â
âEverything is fine, Irish,â says Angie, turning away from him just as the crowd clears a path for Madeleine to get to the bar. Funny, she has a little celebrity glow even off the stage. People are staring at her, and a couple of guys move in closer, trying to stand next to her. Wow. Madeleine has groupies.
âCan I get a Diet Coke, please, Joe?â Madeleine asks. âCoco? Youâre working here now?â
âYes indeedy,â I say.
âSheâs the best emergency bartender ever,â says Joe. âSo, Coco. You want to work here for real?â
âYes.â My voice squeaks. Goddamnit.
Joe frowns. âYou sure youâre up to it? The hours are long, the work is hard, and the patrons are scum.â He grins at the crowd behind the bar, so charmingly that even calling them âscumâ sounds like a compliment. âYou need to be fearless. Are you fearless, Coco?â
I open my mouth to say yes, but then I look over at the front door of the bar and suddenly lose my voice.
Because Ethan, my boyfriend Ethan, my cheating boyfriend Ethan, has finally arrived.
He is smiling congenially in his smug little way, green rucksack on his back, tan windbreaker zipped up tight to the neck, hair fluffy as ever. As though nothing is wrong. As though he didnât cheat on me less than a week ago.
Forgetting to reply to Joe, I spin 180 degrees so my back is to the bar, and try to catch my breath. All week, while Iâve been
Opal Carew
Joanna Jacobs
Faye Kellerman
Sasha White
Victoria Michaels
Patricia Hagan
Paul Doherty
Julia Navarro
William Meighan
Nikki Wild